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Forbidden City to open four more areas to public

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Palace Museum to open four more areas to public
Photo taken on Oct. 8, 2015 shows a building at the new exhibition area which is about to open to public at the Palace Museum in Beijing, captial of China, Oct. 8, 2015. The Palace Museum, also known as the Forbidden City, will open four more areas to the public ahead of its 90th anniversary, which is on Oct. 10, increasing the opening area of the palace from 52% to 65%. Located in the heart of Beijing, the Forbidden City was home to China's emperors and was the highest center of power from 1420 to 1911. (Xinhua/Jin Liangkuai)
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Public to see much more of Beijing’s Forbidden City from today – but no ghosts
Beijing’s Palace Museum, also known as the Forbidden City, which homed 14 emperors over five centuries during China’s Ming and Qing dynasties, is definitely not haunted, its management insists.

There had long been rumours about supposedly paranormal events in the 72 hectare site, but these were simply fairy tales and urban legends, a spokesman told journalists.

“People make up these stories because there are certain parts of the Forbidden City that remain unopened to visitors and so retain an awe of mystery,” the spokesman said.

“No staff have ever found paranormal signs in the museum.”

Room for such spooky speculation, however, will diminish somewhat today when four more areas will be open to the public to commemorate the 90th anniversary of the museum.

They include the Cining and Shoukang palaces, the residences of queen and empress dowagers that have often been portrayed in modern films and TV dramas.

Visitors will also be allowed for the first time to walk on the city walls from Wumen to Donghuamen in the eastern section of the museum.

The the newly opened sites will extend the total area of the museum opened to the public from from 52 per cent to 65 per cent. Exhibitions of more than 400 historical relics will be on display in the new areas as well.

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Shoukang Palace, home to empress dowagers
The exterior of Shoukang Palace.
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The interior of Shoukang Palace
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A cabinet made of pear wood at the Shoukang Palace
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An artwork is on display at the Shoukang Palace
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Nguyễn An or Ruan An was the principle designer and chief builder of Peking Citadel and Bejing Forbidden city.

During the Ming Dynasty’s invasion of Vietnam in 1407, many Vietnamese professionals, such as poets, military experts, architects, engineers, etc., were captured and brought back to China. Among them was a prisoner named Nguyễn An (Ruan An in Chinese), a man who would later design and oversee the construction of the Peking Citadel and the entire Forbidden City of Beijing.

Before being shipped to China, Nguyễn An was a talented official under the rule of the Trần Dynasty. However, he was later taken by the Ming Dynasty and brought back to China as a gift from the illegitimate Hồ Dynasty. From then on, he would be known in Chinese history as Juan An, a eunuch of the Ming’s imperial court.

For his talents, Nguyễn An was given the task of constructing the Peking Citadel and the Forbidden City of Peking (Beijing). The size of his workforce was literally in the millions, composing of soldiers, workers, and prisoners. Interestingly, a large number of the laborers who worked on the Peking Citadel were also Vietnamese, captured by the Ming on their invasions.

The fact that Ruan An (Nguyễn An) was really a Vietnamese person had been obscured in Chinese history for centuries. It is only recently, with long and intricate research, did these facts began to surface. Research made by the University of Cambridge clearly states that “the chief architect was an Annamese eunuch named Ruan An (d. 1453) who also played a major role in rebuilding Peking,” (Mote & Twitchett, 1998:241).

Nguyen An from the book The Eunuchs of the Ming Dynasty by Henry Tsai:

"Brought to China as tribute, Nguyen An quickly earned Emperor Yongle's trust, mainly because of his remarkable loyalty, frugality, and above all, his well-known incorruptibility. But Nguyen An was also a talented artist, ingenious architect, and an expert civil engineer with a caliber comparable to the Renaissance da Vinci or Michelangelo."


Thanks to the help of Vietnamese architects, engineers and artisans.:-)
 
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Nguyễn An or Ruan An was the principle designer and chief builder of Peking Citadel and Bejing Forbidden city.

During the Ming Dynasty’s invasion of Vietnam in 1407, many Vietnamese professionals, such as poets, military experts, architects, engineers, etc., were captured and brought back to China. Among them was a prisoner named Nguyễn An (Ruan An in Chinese), a man who would later design and oversee the construction of the Peking Citadel and the entire Forbidden City of Beijing.

Before being shipped to China, Nguyễn An was a talented official under the rule of the Trần Dynasty. However, he was later taken by the Ming Dynasty and brought back to China as a gift from the illegitimate Hồ Dynasty. From then on, he would be known in Chinese history as Juan An, a eunuch of the Ming’s imperial court.

For his talents, Nguyễn An was given the task of constructing the Peking Citadel and the Forbidden City of Peking (Beijing). The size of his workforce was literally in the millions, composing of soldiers, workers, and prisoners. Interestingly, a large number of the laborers who worked on the Peking Citadel were also Vietnamese, captured by the Ming on their invasions.

The fact that Ruan An (Nguyễn An) was really a Vietnamese person had been obscured in Chinese history for centuries. It is only recently, with long and intricate research, did these facts began to surface. Research made by the University of Cambridge clearly states that “the chief architect was an Annamese eunuch named Ruan An (d. 1453) who also played a major role in rebuilding Peking,” (Mote & Twitchett, 1998:241).

Nguyen An from the book The Eunuchs of the Ming Dynasty by Henry Tsai:

"Brought to China as tribute, Nguyen An quickly earned Emperor Yongle's trust, mainly because of his remarkable loyalty, frugality, and above all, his well-known incorruptibility. But Nguyen An was also a talented artist, ingenious architect, and an expert civil engineer with a caliber comparable to the Renaissance da Vinci or Michelangelo."


Thanks to the help of Vietnamese architects, engineers and artisans.:-)
I bet he was proud to be Chinese, loyal to Chinese empire.:china:
 
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60th anniversary of Palace Museum
New stamps published

View attachment 263956
据悉,中国邮政将于10月10日发行《故宫博物院》特种邮票1套4枚,内容分别为午门、太和殿、角楼、乾清门,附票图名分别为:白玉镂雕龙凤璧、水鼎、清明上河图、青花釉里红开光镂花盖罐。全套邮票的面值为5.4元。 新华社发(龙巍 摄)
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60th anniversary of Palace Museum
New stamps published

View attachment 263956
据悉,中国邮政将于10月10日发行《故宫博物院》特种邮票1套4枚,内容分别为午门、太和殿、角楼、乾清门,附票图名分别为:白玉镂雕龙凤璧、水鼎、清明上河图、青花釉里红开光镂花盖罐。全套邮票的面值为5.4元。 新华社发(龙巍 摄)
View attachment 263958

View attachment 263957

Buy, buy , buy.
 
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Good news! But the queue, ahhh!! Maybe at night sneek in like an assassin. :D
The news says the final day of exhibition of that famous 5-metre long Chinese painting steals the thunder of the newly opened palaces, gardens and walls.
But I'm sure walking on the walls of forbidden city will be cool.
 
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