Persian
Illustration from Jāmī's "Rose Garden of the Pious", dated 1553. The image blends Persian poetry and Persian miniature into one, as is the norm for many works of the Timurid era.
Persian literature, especially Persian poetry occupied a central place in the process of assimilation of the Timurid elite to the Perso-Islamic courtly culture.[27] The Timurid sultans, especially Šāhrukh Mīrzā and his son Mohammad Taragai Oloğ Beg, patronized Persian culture.[14] Among the most important literary works of the Timurid era is the Persian biography of Timur, known as "Zafarnāmeh" (Persian: ظفرنامه‎
, written by Sharaf ud-Dīn Alī Yazdī, which itself is based on an older "Zafarnāmeh" by Nizām al-Dīn Shāmī, the official biographer of Timur during his lifetime. The most famous poet of the Timurid era was Nūr ud-Dīn Jāmī, the last great medieval Sufi mystic of Persia and one of the greatest in Persian poetry. In addition, some of the astronomical works of the Timurid sultan Ulugh Beg were written in Persian, although the bulk of it was published in Arabic.[28] The Timurid ruler Baysunğur also commissioned a new edition of the Persian national epic Shāhnāmeh, known as Shāhnāmeh of Baysunğur, and wrote an introduction to it. According to T. Lenz:
“It can be viewed as a specific reaction in the wake of Timur's death in 807/1405 to the new cultural demands facing Shahhrokh and his sons, a Turkic military elite no longer deriving their power and influence solely from a charismatic steppe leader with a carefully cultivated linkage to Mongol aristocracy. Now centered in Khorasan, the ruling house regarded the increased assimilation and patronage of Persian culture as an integral component of efforts to secure the legitimacy and authority of the dynasty within the context of the Islamic Iranian monarchical tradition, and the Baysanghur Shahnameh, as much a precious object as it is a manuscript to be read, powerfully symbolizes the Timurid conception of their own place in that tradition. A valuable documentary source for Timurid decorative arts that have all but disappeared for the period, the manuscript still awaits a comprehensive monographic study. ''