LOL.
So what happens after you are given the actual path of Xuanzang and can't recognise it?
Aaah, what is your correct version then? Was the Buddha Nepalese? Are you aware if there was a Nepal then, or even a Nepalese ethnicity? Have you seen depictions of the Buddha, and do those display his ethnicity as being other than Indian? Actually, do you know anything at all about the Buddha?
You can't support your loudly repeated assertions except by waving your hands in the air.
At this moment, you are only a source of amusement.
There are, just to underline your ignorance.
Don't ask to be taken there and shown; find out on your own.
If you are lucky, you may even find someone in Canada who can tell you.
A VERY good point!
If I were you (let me reassure myself - ah, yes, I'm not), I would not go further south than the 20th parallel.
So I never did. Some Chinese member did. This is for the benefit of my Hindutvavadi friends. I disclaim all assertions made by
@MajesticPug in this regard. Please take it up with him.
Just for your ignorant mind, I just quoted the Wikipedia on the history of Chinese Martial Arts for your learning. You Indians don't come out and make your dumb hot air claims about China, Chinese and Chinese things all the time. Couple of Indian monks got recorded teaching some sort of yoga to some disciples in China in the past don't constitute that you Indians created Chinese martial arts, period ! It's that simple, are you that dumb to understand all these and want to make hopeless arguments ?
Chinese martial arts
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"Kung fu" redirects here. For the generalized meaning of the term, see
Kung fu (term). For other uses, see
Kung fu (disambiguation).
A monk practicing kung fu in the bamboo forest inside the
Shaolin Temple
Chinese martial arts, often called by the
umbrella terms kung fu (
/ˈkʌŋ ˈfuː/;
Chinese:
功夫;
pinyin:
gōngfu;
Cantonese Yale:
gūng fū),
kuoshu (國術;
guóshù) or
wushu (武術;
wǔshù), are
multiple fighting styles that have developed over the centuries in
Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include
Shaolinquan (少林拳) physical exercises involving
All Other Animals (五形) mimicry or training methods inspired by
Old Chinese philosophies, religions and legends. Styles that focus on
qi manipulation are called
internal (内家拳;
nèijiāquán), while others that concentrate on improving muscle and cardiovascular fitness are called
external (外家拳;
wàijiāquán). Geographical association, as in
northern (北拳;
běiquán) and
southern (南拳;
nánquán), is another popular classification method.
Contents
Terminology
See also:
Kung fu (term)
Kung fu,
wushu and "Cultivation"are
loanwords from Cantonese and Mandarin respectively that, in English, are used to refer to Chinese martial arts. However, the
Chinese terms
kung fu and
wushu (
listen (Mandarin) (
help·
info);
Cantonese Yale:
móuh seuht) have distinct meanings.
[1] The Chinese equivalent of the term "Chinese martial arts" would be
Zhongguo wushu (Chinese: 中國武術; pinyin:
zhōngguó wǔshù) (
Mandarin).
In Chinese, the term
kung fu refers to any skill that is acquired through learning or practice. It is a compound word composed of the words 功 (gōng) meaning "work", "achievement", or "merit", and 夫 (fū) which is a particle or nominal suffix with diverse meanings.
Wushu literally means "
martial art". It is formed from the two
Chinese characters 武術:
武 (
wǔ), meaning "
martial" or "
military" and
術 or 术 (
shù), which translates into "
art", "
discipline", "
skill" or "
method". The term
wushu has also become the name for the modern sport of
wushu, an exhibition and full-contact sport of bare-handed and weapon forms (套路), adapted and judged to a set of aesthetic criteria for points developed since 1949 in the
People's Republic of China.
[2][3]
Quánfǎ (拳法) is another Chinese term for Chinese martial arts. It means "fist method" or "the law of the fist" (
quán means "boxing" or "fist", and
fǎ means "law", "way" or "method"), although as a compound term it usually translates as "boxing" or "fighting technique." The name of the Japanese martial art
kempō is represented by the same
hanzi characters.
History
The genesis of Chinese martial arts has been attributed to the need for
self-defense, hunting techniques and military training in
ancient China.
Hand-to-hand combat and
weapons practice were important in training ancient Chinese
soldiers.
[4][5]
Detailed knowledge about the state and development of Chinese martial arts became available from the
Nanjing decade (1928–1937), as the
Central Guoshu Institute established by the
Kuomintang regime made an effort to compile an encyclopedic survey of martial arts schools. Since the 1950s, the People's Republic of China has organized Chinese martial arts as an exhibition and full-contact sport under the heading of
“wushu”.
Legendary origins
According to legend, Chinese martial arts originated during the semi-mythical
Xia Dynasty (夏朝) more than 4,000 years ago.
[6] It is said the
Yellow Emperor (Huangdi) (legendary date of ascension
2698 BCE) introduced the earliest fighting systems to China.
[7] The Yellow Emperor is described as a famous general who, before becoming China's leader, wrote lengthy treatises on medicine, astrology and the martial arts. One of his main opponents was
Chi You (蚩尤) who was credited as the creator of
jiao di, a forerunner to the modern art of
Chinese wrestling.
[8]
Early history
The earliest references to Chinese martial arts are found in the
Spring and Autumn Annals (5th century BCE),
[9] where a hand-to-hand combat theory, one that integrates notions of
"hard" and "soft" techniques, is mentioned.
[10] A combat
wrestling system called
juélì or
jiǎolì (角力) is mentioned in the
Classic of Rites.
[11] This combat system included techniques such as
strikes,
throws,
joint manipulation, and
pressure point attacks. Jiao Di became a sport during the
Qin Dynasty (221–207 BCE). The
Han History Bibliographies record that, by the
Former Han (206 BCE – 8 CE), there was a distinction between no-holds-barred weaponless fighting, which it calls
shǒubó (手搏), for which training manuals had already been written, and sportive wrestling, then known as juélì (角力). Wrestling is also documented in the Shǐ Jì,
Records of the Grand Historian, written by
Sima Qian (ca. 100 BCE).
[12]
In the
Tang Dynasty, descriptions of sword dances were immortalized in poems by
Li Bai. In the
Song and
Yuan dynasties, xiangpu contests were sponsored by the imperial courts. The modern concepts of wushu were fully developed by the
Ming and
Qing dynasties.
[13]
Philosophical influences
The ideas associated with Chinese martial arts changed with the evolution of Chinese society and over time acquired some philosophical bases: Passages in the
Zhuangzi (莊子), a
Taoist text, pertain to the psychology and practice of martial arts.
Zhuang Zi, its eponymous author, is believed to have lived in the 4th century BCE. The
Tao Te Ching, often credited to
Lao Zi, is another Taoist text that contains principles applicable to martial arts. According to one of the classic texts of
Confucianism,
Zhou Li (周禮),
Archery and
charioteering were part of the "six arts" (Chinese: 六藝; pinyin:
liu yi, including
rites,
music,
calligraphy and
mathematics) of the
Zhou Dynasty (1122–256 BCE).
The Art of War (孫子兵法), written during the 6th century BCE by
Sun Tzu (孫子), deals directly with military warfare but contains ideas that are used in the Chinese martial arts.
Taoist practitioners have been practicing
Tao Yin (physical exercises similar to
Qigong that was one of the progenitors to
T'ai chi ch'uan) from as early as 500 BCE.
[14] In 39–92 CE, "Six Chapters of Hand Fighting", were included in the
Han Shu (history of the Former
Han Dynasty) written by
Pan Ku. Also, the noted physician,
Hua Tuo, composed the "Five Animals Play"—tiger, deer, monkey, bear, and bird, around 208 CE.
[15] Taoist philosophy and their approach to health and exercise have influenced the Chinese martial arts to a certain extent. Direct reference to Taoist concepts can be found in such styles as the "
Eight Immortals," which uses fighting techniques attributed to the characteristics of each immortal.
[16]