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North East Asian culture & influence

It has a short shelf life meaning it doesn't really last. Hong Kong cinema and Cantopop was very popular in the 80s or 90s, wasn't it? Taiwanese pop was very popular in the early 2000s wasn't it? Are people going to care about Kim Kardashian after she dies? I doubt it.

Low culture comes and goes. It affects a certain generation and the "now" but it's better to think long term. What's recorded in history is advancements and innovations in a certain area. That is why China is investing so much into research and innovation.

Like I said, if it's really good and popular, it will turn into a classic. Most cultural products today have short shelf life anyway.

Kim Kardashian is a poor example of a cultural product. Why do you keep citing her to make your argument?

Research and innovation? We are talking about culture influence in today's context right?
 
Like I said, if it's really good and popular, it will turn into a classic. Most cultural products today have short shelf life anyway.

Kim Kardashian is a poor example of a cultural product. Why do you keep citing her to make your argument?

Research and innovation? We are talking about culture influence in today's context right?

I agree on the short shelf life. Does anybody talk about Paris Hilton anymore? People like her are only in the public attention because they perpetually give paparazzi something outrageous to snap pictures of (like intentionally wearing skimpy outfits) or write about.
 
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Like I said, if it's really good and popular, it will turn into a classic. Most cultural products today have short shelf life anyway.

Kim Kardashian is a poor example of a cultural product. Why do you keep citing her to make your argument?

Research and innovation? We are talking about culture influence in today's context right?

Well I'm not sure if some KPOP act will ever be considered a "classic" on the same level as Aristotle or Confucius. Not to mention KPOP idols don't write their own songs, they don't make up their own dance moves, they don't even style themselves, can they even play a musical instrument? They are simply performers who are pretty.

I don't think manga will ever be a "classic" on the same level as something displayed in a museum.

Compare the difference between Weeaboos / Koreaboos (low culture lovers) and Sinologists (high culture lovers). The first group are generally less intellectual. Importantly, the ones that will shape policy are probably going to be lovers of high culture rather than low culture.

Yes research and innovation to shape future influence and perceptions. You have to look at the bigger picture, not just linearly.
 
All East Asian countries are Confucian societies which have been like this for thousands of years and will be like this for thousands of years to come.

Only China, Vietnam and Korea are Confucian societies, Japan is NOT although Japan copied some forms of Chinese culture in Tang and Song. If you dig into Japanese culture, there're lots of weird stuff, e.g. a Japanese father can have a bath with his young daughter in the same pool, this weird habit is absolutely unacceptable in a Confucian society.

Confucius has few influence in Japan, Shinto and Buddhism are more influential. Japan's culture is basically a twisted mixture of their native ideologies and some forms of Chinese culture. You can find this phenomenon in Japanese language, a mixture of Japanese character and Hanji, very discord and odd. Don't look at the problem on surface only. Some Vietnamese and Korean are descendants of Chinese because they both were ever part of China. e.g. President of Softbank, Masayoshi Son whose family name is a typical Han family name in Shandong Province. Son's ancestor immigrated to Korea from Shandong, then immigrated to Japan. Regarding Vietnam, too many examples.
 
Well I'm not sure if some KPOP act will ever be considered a "classic" on the same level as Aristotle or Confucius. Not to mention KPOP idols don't write their own songs, they don't make up their own dance moves, they don't even style themselves, can they even play a musical instrument? They are simply performers who are pretty.

I don't think manga will ever be a "classic" on the same level as something displayed in a museum.

Compare the difference between Weeaboos / Koreaboos (low culture lovers) and Sinologists (high culture lovers). The first group are generally less intellectual. Importantly, the ones that will shape policy are probably going to be lovers of high culture rather than low culture.

Yes research and innovation to shape future influence and perceptions. You have to look at the bigger picture, not just linearly.

The thing is, the lines between low culture and high culture is getting blur.

In the past, only the elites have decent education and therefore are the only ones who can appreciate literary works. Hence the culture they consume is considered 'upper-class' and part of the intelligentsia.
However most countries today have a literacy rate of above 90% and with the internet, you can consume any type of culture, whether its low or high. Even the so called elites of our society consume 'low-culture' too, and probably even more than 'high-culture'.

Take for example Journey to the West. It's considered one of the four great literary works of China. But as a literary work, is it really superior than say One Piece? In terms of entertainment to the masses or studying it as a literature with its literary elements (foreshadowing, symbolism, depth, plot consistency etc), I consider One Piece superior. So what really defines low culture or high culture? Test of time? Must high culture always come from pre-industrialization age?

I disagree that high culture is more influential than low culture in shaping policies. You think Trump or Obama knows more about Hollywood or Aristotle/Confucius? In a democratic society today, public opinion is extremely crucial in shaping policies. And of course, low culture holds more influence in swaying public opinion than high culture. People's general perception of NYC will be based on Hollywood, and Tokyo based on anime/manga.

Hollywood can even influence a society's perception of beauty, moral and values (FREEDOM!!1!) and hence political inclination. That's cultural influence today.
 
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China is the Fountainhead of East Asian Civilisation.

The effect of 'Chineseness' can even be seen on South East Asia... though less pronounced.

Anyhow, what matters is how to move forward in East Asia and create Confucianist Economic Integration.

This shall have a global effect in most positive sense!
 
Famous Chinese novels coming as comic series online

By Xu Fan - China Daily - Thursday, May 04, 2017

Louis_Cha_Leung-yung_better_known_by.jpg

Louis_Cha_Leung-yung_better_known_by.jpg

The martial arts novels by Louis Cha Leung-yung 查良镛 丨 查良鏞 (age 93) (better known by his pen name Jin Yong 金庸)(top)
will be adapted into online comic series, targeting young people. (Photos provided to China Daily)

One of China's most influential authors, Louis Cha Leung-yung 查良镛 丨 查良鏞, who is better known by his pen name Jin Yong 金庸, will see all his 15 martial arts novels adapted into online comic series.

Among them, four classics - as the first batch of the adaptation project - will have their comic strips run on the web by the end of the year, according to the producers, Tencent Animation & Comics and Phoenix Entertainment.

The two companies are subsidiaries of tech giant Tencent Holdings Ltd and Hong Kong-based broadcaster Phoenix TV.

The four classic novels are Tianlong Babu 天龙八部 (Demi-Gods and Semi-Devils), Lu Ding Ji 鹿鼎记 (Duke of Mount Deer), Xiao Ao Jianghu 笑傲江湖 (The Smiling, Proud Wanderer) and Xia Ke Xing 侠客行 (Ode to Gallantry).

Cha's books have earned him millions of fans.

Zou Zhengyu, general manager of Tencent Comics & Animation, says Cha's novels, written from 1955 to 1972, are known to the post-1990 generation in adaptations of movies, TV dramas and games.

"But the original books have probably been read by a small number. We hope the comic series will attract more youngsters to read the novels," Zou said at a recent promotional event in Beijing.

Weaving historical turbulence into adventures, the author's tales are studded with plot twists, bittersweet romances, emotional connections as well as abundant depictions of Chinese culture, including poetry.

During the past six decades, his novels have reportedly sold up to 300 million copies - with bootleg copies too - and have been translated into foreign languages such as Korean, English, Japanese and French.

Cha, 93, could not make it to the Beijing event but a photo - featuring him holding a draft of his writing on Princess Jianning, a role in Duke of Mount Deer - was shown.

In a piece of calligraphy written for the upcoming comic strips, the author writes that he was eager to see a good adaptation.

Zou from Tencent also reveals that his team has so far talked to more than 1,000 writers and illustrators, but hasn't decided the final list. He says the adaptation may expand to an animation series or movies if the comic series is successful.

The first comic strips are expected to appear on Tencent's ac.qq.com and its mobile app in September, and the comic series may run for five years.

Zou says Tencent's online comics and animation platforms are visited on average by 90 million people per month, with estimates that such viewers in China now stand at some 300 million.

Most Chinese fans are fascinated with comics from Japan and the United States, but Zou says he believes a blend of Chinese tradition and local talent will change the big picture.

xufan@chinadaily.com.cn

http://www.chinadailyasia.com/lifeandart/2017-05/04/content_15608083.html
 
A ceremony to commemorate success of ancient Yellow River
irrigation system was held in Ningxia, northwestern China.


A Periscope TV link: https://www.pscp.tv/XHNews/1djGXAmZNyPJZ

huanghemap-1.jpg

Map of Yellow River 黄河 Huang He, the second-longest river in Asia, following the Yangtze River (Chinahighlights.com)

The Yellow River 黄河 Huang He originates in the Bayan Har Mountains 巴颜喀拉山脉 in Yushu Prefecture玉树州 , Qinghai province of western China at elevation of 4,800 meters, it flows through nine provinces: Qinghai, Sichuan, Gansu, Ningxia, Inner Mongolia, Shaanxi, Shanxi, Henan, Shandong, and it empties into the Bohai Sea near the city of Dongying in Kenli County, Shandong province. The Yellow River basin has an east–west extent of about 1,900 kilometers and a north–south extent of about 1,100 km. Its total length is about 5,464 kilometers and total basin area is about 742,443 square kilometers.

The basin of Yellow River 黄河 Huang He was the birthplace of ancient Chinese civilization.
And it was once the most prosperous region in early Chinese history. However, because of frequent devastating floods and course changes produced by the continual elevation of the river bed, sometimes the water level of the river is above the level of its surrounding farm fields. Fortunately the modern China today can deal much better with the river, alleviates the flood threats.
 
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Chinese younger generation rediscovers ancient poem's roots in music
CGTN | Updated: 2017-05-07


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Ancient Chinese poet writing poems. [Photo/VCG]

Classics never go out of date.

A piece of ancient Chinese poetry, which was written about 1,200 years ago, has recently become an online sensation among teenagers, after two young musicians composed a song for it.

Two days after a namesake song of the household ancient Chinese poem "Song of a Pipa Player" was posted on Bilibili, a popular video sharing website among the younger generation, it has already earned over 20,000 hits and some 1,300 comments.

Many teenagers liked and shared the five-minute song, saying that they finally found the "correct way" to recite the ancient Chinese poems.

The poem "Song of a Pipa Player" was written by Bai Juyi, a Chinese poet of the Tang Dynasty (618-907). Consisting of over 600 characters, the poem is on the high school syllabus across China and is a must for the students to recite.

The composers of the song, named Qiran and Shenmiren online, are both online musicians. Qiran said he has been thinking of composing songs based on ancient poems since high school years. "I hated reciting poems during that time, so I made up some melodies to help, and it really helped," said Qiran.

Ancient Chinese poems' musical roots

However, the Chinese people's passion for the poems as lyrics of songs is by no means accidental. The ancient Chinese poems could find their roots in music.

Tracing its origin, the ancient Chinese poems evolved from folklore. The Classic of Poetry, which is considered as the oldest existing collection of Chinese poetry, is said to be comprised of folk songs dating from the 11th to the 7th centuries BC.

The poem, "Song of a Pipa Player", was written in a Yuefu style, the name of which is derived from an ancient organization named "Music Bureau".

Poet Bai Juyi's works were widely welcomed even in his age for their unaffected and rhythmical style. Many singers at that time preferred to compose music for his poems and sing them out.

China has seen a rising tendency in rediscovering its traditional culture in recent years, especially among the younger generation. Since the beginning of the year, many variety shows featuring traditional culture have gone viral on China's social network Sina Weibo.

A number of original songs, videos and animations based on the ancient culture have increasingly attracted people's attention in recent years, and most of their composers were born in the 1980s and 1990s.

Qiran and Shenmiren, composers of the "Song of a Pipa Player", said their studio is planning to compose songs for most of the ancient poems and prose selected on the high school text books.

"It is a great pleasure to see so many high school students enjoying the song. If it helps them learn and recite the poems, we will continue to compose for sure," said Qiran. "We hope that after listening to the whole album, they will get full marks in the Chinese examination," he joked.

http://www.chinadaily.com.cn/culture/art/2017-05/07/content_29236664_2.htm
 
My Speech - British Subversion of Confucian - Western Dialogue

By Michael Billington - New York City - April 13-14, 2017

Included below is the half-hour speech I presented to the Schiller Institute Conference in NY City on April 14, both the transcript and a link to the video, on the subject of the British subversion in China of the concept of "western thought," teaching the semi-colonized Chinese that "western thought" was the empiricist, Darwinian ideology of the British, of man as an animal, imposing power through the "survival of the fittest" concept of man as an animal. At the same time, the British, and in particular Bertrand Russell, subverted the West's understanding of Confucianism, falsely describing it as the force which had kept China back from modern development.

My presentation followed a powerful speech by Helga Zepp-LaRouche, the Chairwoman of the Schiller Institute, demonstrating the actual affinity between Confucianism and that western thought which was the actual root of western culture and science, that of the humanist tradition, opposed to British empiricism. Helga focused especially on the close relationship between Confucius and Friedrich Schiller.

That presentation can be watched at:
http://schillerinstitute.org/conf-iclc/2017/0413-ny/hzl-day2.html

and can be read at:
East and West - A Dialogue of Great Cultures by Helga Zepp-LaRouche
http://larouchepub.com/eiw/public/2017/2017_10-19/2017-17/pdf/19-25_4417.pdf

The video to my [Michael Billington] presentation is at:

The transcript of my presentation follows. Mike Billington
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Dennis Speed: Our final speaker for today, the Asia Editor for EIR, is Mike Billington. This is a book by Mike which tells about the vacation he took [laughter], all expenses paid, by him and the Federal government: Reflections of an American Political Prisoner (2000), during which time he did much of the work you’re about to hear.

Michael_Billington.jpg

Michael Billington (EIRNS/Jason Ross)

Michael Billington: Thank you. Thank you, Dennis. “Sabbatical leave” I call it, not vacation.

I’ll try, in the few minutes we have left, to answer some of the questions for which this conference was originally called, and which came up in the discussion between Helga and Patrick Ho, which are the misconceptions about Western thought in China and misconceptions about Confucianism in the West, and in particular, something that I did in fact do a great deal of study on while I was on my “sabbatical leave”: Which is that it was precisely the British, who when they semi-colonized China, set about, as they did in all of their colonies, to profile the philosophies and cultures of those nations and pick out those backward tendencies, like the caste system in India, and define that as “the nature” of the colony, in order keep them backward and to maintain colonial power over a divided and backward nation.

This is what happened in spades in China. And it’s still very, very, much alive today, as we saw reflected in the brilliant presentation, but one which has this serious flaw, of not recognizing a misconception that persists today. Namely, that the British liberalism/imperial mentality, Darwinism and survival of the fittest, is somehow “Western thought.” And I want to go through that as quickly as I can.

Plato_and_Confucius_-_MOB01.jpg


I think the main thing to start with is that both in the West and in China, there are not just these wonderful traditions, which Helga so beautifully drew on today, and which Patrick Ho drew on with, I think, some problems—but that these wonderful traditions that gave rise to these powerful civilizations were always battling with backward tendencies. And that wasn’t discussed that much. You can understand WHY, but I think it’s very, very important to see that, because that’s the way the Empire works, to subvert—as they are now subverting—the United States. And if you, for instance, wonder how Americans could be so gullible as to believe that Russia and China are aggressive nations, that Russia is aggressive in the Ukraine and Syria; that China is aggressive in the South China Sea—how could you believe such foolishness? Well, it’s because they’ve profiled America in exactly the same way, which is what we’re dealing with now.

Matteo_Ricci_and_Leibniz.jpg


Now, in the case of Plato—and Plato and Confucius were roughly contemporaries and they’re very, very similar in their recognition that it’s the human mind, and the capacity to be creative and to love mankind, which characterizes man. But in the case of Plato, there was his opposite, Aristotle, who believed that man was an animal, that people were born either masters or slaves, that their mind was no better than a calculating machine, not a creative capacity to master laws of the Universe and discover new principles—but rather just a calculating machine in an Aristotelian logic. And it is this Aristotelian ideology which always guides Empire. As opposed to the Platonic, which gave rise to Renaissance thinking.

And the same thing in China: You had Confucianism, and Helga was absolutely right, I think, to raise with Patrick Ho the issue of Daoism. Confucius believed in the Dao, in the Way, in the principle of the Universe, but Daoism as it was developed by Laozi [Lao Tze] and Zhuangzi [Chuang Tze] was a policy which rejected creativity, which called for people to reject new technologies, in order to live with nature, to commune with nature, rather than to change nature, which is the nature of creativity.

The Jesuit Missionaries in China

And that Daoist influence was coupled with an even more evil influence, called Legalism, which was basically saying that man is an animal and can only be controlled through extremely strict government, strict laws, strict punishment; that you had to restrain the animal instincts of men through force of arms. And this was the ideology which guided the so-called First Empire in China, and was a recurring problem through the Han Dynasty and Tang Dynasty. And there was a Renaissance in China in the Song Dynasty of the 12th Century under Zhu Xi—and Zhu Xi was one of the great minds of China, who, like Cusa and like Leibniz, basically gave a rebirth to the original concepts of Confucianism.

So these battles have gone on and on and on. And I’ll say a few more things on that.

The Empire in the West—and I think I have to say this for something that comes later—has been a single Empire, from the Roman Empire through the Venetian Empire, and then into the Anglo-Dutch Empire. It moved its headquarters, but it was always the same Empire, based on the Aristotelian or bestial idea of man.

When the Jesuits first came to China, the Jesuit Matteo Ricci, whom Patrick talked about—when he and his associates first came to China, their immediate response was to see the Buddhists in their saffron robes, and to assume they were the religious leaders in China, and they immediately identified with them and began collaborating with them. And they maintained collaboration with them over time, but they quickly learned that the real religious—the real philosophers of China—were the Confucian scholars, who did not wear religious robes. This was extremely important, because in China at that time, the political leaders were the Confucian scholars. The way you became a political leader, through the merit system that Professor Wang was talking about, was that you passed examinations, which were not examinations in calculations, but they were examinations in culture, in understanding Confucius and Mencius, for example.

In poetry: You had to be a poet, you had to be a musician. You had to prove that you were truly a cultured person and therefore, had the basis upon which you could be a moral ruler.

So, they quickly then established relations with the Confucians, as Patrick also indicated—I’ll come back to that.

This then led to Leibniz, who was discussed today, and who, in correspondence with the Jesuits, was reading the translations of Confucius and Mencius, and especially of Zhu Xi in the Song Dynasty. With respect to China, Leibniz recognized that the fact that China had bigger cities by far than anything in Europe, a more highly educated population than anyone in Europe, a better-organized society—to him this proved that Chinese philosophy, which he hadn’t yet mastered—meant, to him that Chinese philosophy had in fact mastered the fundamental laws of man and nature, since only knowing the truth about the laws of the Universe can lead to a successful culture over the long term. This was the way Leibniz viewed this.

He published Novissima Sinica, News from China, based on the writings he had, mostly of Zhu Xi actually, but also of Confucius and Mencius, and was conveying the truth about China to the Europeans at that time. What Leibniz had to say about Confucianism was “it is pure Christianity, insofar as it renews the natural law inscribed in our heart”; i.e., every human being is born with this potential for truth in his heart and in his mind, and this is the Platonic idea of all men being capable of creative development, and of having a moral society.

Kang Xi, who was mentioned, the Emperor at that time, got to know the Jesuits extremely well. He mastered the Christian ideology—he didn’t become a Christian; he didn’t think he needed to, as Patrick was pointing out. But he believed that these truths about man and nature cohered with Confucianism, and he invited the Jesuits to go throughout the country, to spread their religion—there was no problem with this whatsoever.

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The End of the Mission

I would definitely disagree with Patrick’s description of how that fell apart. He said the Catholic Church decided that the Confucian rites contradicted Christian ideas and Christian rites, and therefore they broke off the connection. It didn’t work that way: The Empire intervened—Venice intervened. It was the Venetians who went to work on the Vatican to stop the Popes who were collaborating with the Jesuits, and basically to coerce them—just as Trump was coerced—to go against Christian self-interests, and to declare that since Confucians honored their ancestors, this did not cohere with Christian thought—therefore you could not be both a Christian and a Confucian. But keep in mind, the Confucians were the government leaders. So, to say that Christianity was against Confucianism was to say it was against the state. And that’s why Kang Xi had to say, in effect, “I can’t believe this, this is absurd, but I have to throw you out.” And he finally did.

And that laid the basis, just a few hundred years later, for the British to come in with their gunboats and their opium. That’s how they conquered the country: They blew up its cities, and they forced them to take opium. They fought the war because the Chinese were trying to stop them from bringing opium in. So this was the beginning of the horror of the British role in China.

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Now, here’s where what I wanted to go through, begins. Immediately, the British picked up a bright, young scholar, named Yen Fu, who was an opium addict, which they considered very important—that he was more imaginative because he was an opium addict; they sent him off to London. And Yen Fu was trained, in depth, by the British—in Darwin, in the survival of the fittest, and especially in Herbert Spencer, who was the person who shaped Darwinism into Social Darwinism—that man is in fact just an animal; since it’s not through the creativity of the mind that man progresses, but by the strong defeating the weak: survival of the fittest.

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He learned these ideas, took them back to China, and basically wrote the curriculum for all the schools that were under British direction, and taught: The British conquered us because they had wealth and power. Where did they get wealth and power? They got wealth and power by this Darwinian idea of crushing the weak. Being willing to crush the weak in order to be strong. We have to learn how to be Darwinian, and be strong and crush the weak. This was the attempt at total brainwashing of the Chinese population.

I would just, in passing, point out that this is exactly the way Barack Obama was brainwashed into being a killer. As he writes in his book, he suspected his stepfather had been part of the slaughter of the PKI, of the Communist Party in Indonesia, under Sukarno. Therefore, he asked him, “have you ever seen a man killed?” and his father said, “Yes, indeed, I have.” He didn’t admit he’d killed people—which he had; but he said, “Yes, indeed,” and, “You must learn, my stepson, that there are two kinds of people: There’s the strong and there’s the weak, and the strong have to be willing to crush the weak. What are you going to be? Are you going to be strong or are you going to be weak?” And Obama writes about that in his book, which is where his killer instincts came from.

Here’s what Yen Fu said, talking about Adam Smith’s Theory of Moral Sentiments. He writes: “There may be those. . . who say that, according to [Adam] Smith’s book, human morality is nothing more than a matter of self-interest and the pursuit of profit, and the principle of heaven will be lost. . . .” He’s obviously referring to the American System advocates who would argue that with such thinking, you’d lose the principle of Heaven.
“What they do not understand,” Yen Fu said, “is that science concerns itself with questions of truth and falsehood, and not with whether its findings coincide with benevolence and righteousness.” There’s no morality in science, it’s just observation—no creative thinking, it’s just observation, sense-perception.

Now, just to confirm that that is what he’s saying—here’s what Adam Smith actually says in the Theory of Moral Sentiments:Nature has directed us to the greater part of these by original and immediate instincts. Hunger, thirst, the passion which unites the two sexes, the love of pleasure, and the dread of pain, prompt us to apply those means for their own sake, and without any consideration of their tendency to those beneficent ends which the great Director of nature intended to produce by them.

Who Was Sun Yat-Sen?

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Is there any mention of the human mind in there? Pure instinct. Men are animals, no more, no less. And that is the conception which Yen Fu is defending against anybody with brains, and that is what he taught to the Chinese to get them to believe it.

Now, Patrick already went through the brilliance of Sun Yat-sen and his use of Lincoln’s “of the people, by the people, and for the people.” Let me add, that he learned this when he was in Hawaii being trained by the Damon family, that came from Philadelphia and was part of the school of Henry Carey, whom Helga had mentioned several times—the people who promoted the Hamiltonian school. And not only did he follow Lincoln, but in his writings, in his book The Three Principles of the People, he explicitly talked about Alexander Hamilton, as well as John Quincy Adams and Lincoln. But he also understood the American System so well, that he polemicized against Thomas Jefferson. He said that Hamilton understood the need for industry, for infrastructure, and for the education of all people, whereas Jefferson was an agrarian fanatic, who believed in slavery and wanted to keep the country backward as an agrarian nation.

So he wrote about this, and he taught the Chinese people this. This was Sun Yat-sen bringing the American System to China.

One more thing about Sun Yat-sen—this happened during the so-called May 4th Movement, which Patrick also mentioned. During the First World War, Sun Yat-sen polemicized against joining the British in the war against the Germans. He said, if we join the British and they win the war—and they probably will—don’t think that we would share in the spoils. No. He said: "We will be treated the way a farmer treats the silkworm. They will draw out the useful silk and then the worm will be used as fish food." He said, we will be used as fish food—which is exactly what happened. They joined the British—that’s when Deng Xiaoping and Zhou Enlai went to France; some of you know that our presidential candidate in France, Jacques Cheminade, has been talking about that.

But after the war, the Chinese, having joined the British, were torn apart, divided up, and pieces were given to each of the imperial powers.

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Sun Yat-sen’s map for the development of rail and canals for China, 1919. A comparison with China’s current extensive
rail development shows that Sun’s program has finally been realized.

So during that May 4th Movement which Sun was intervening in, to build into a republican movement, he polemicized against what he saw as the influence of a British irrationalism. He said: “A group intoxicated with a new culture have begun to reject the old morality, saying that the former makes the latter unnecessary. . . . [They say] there are no princes in a democracy, so loyalty is not needed and can be cast away.

He identified this ideology with John Stuart Mill, another of the British ideologues, and he said, it would make the 400 million Chinese “like a sheet of loose sand,” basically manipulable and not unified.

In 1919, he wrote The International Development of China, and you saw these maps yesterday by Prof. Nie Lei, of China’s rail developments today: There it is. This is what Sun Yat-sen laid out for the rail and water development of China in 1919, as an international project. So in fact, what Xi Jinping and the Chinese are doing today, is literally realizing that movement.

The British recognized the extreme danger of Sun Yat-sen’s American System intervention into China, and had to crush it. So they sent one of their top, top agents, Bertrand Russell, whom Lyndon LaRouche has declared the most evil man in the 20th Century. He was sponsored by the Anti-Religious Society. He argued that Christianity was the bane of the West, and that Confucianism was the cause of backwardness in China. He wrote a book called The Problem of China, which is entirely a “noble savage” piece, saying that we should leave them happy in the mud, basically as Daoists, happy as farmers with no science, no technology.

This is his quote:Chinese officials are, as a rule, corrupt and indolent, so that control by foreigners is necessary in creating a modern bureaucracy, and to prepare the way for the creation of an efficient Chinese state.
“Instinctive happiness, or joy of life, is one of the most important goods that we have lost through industrialism. . . . Progress and efficiency, for example, make no appeal to the Chinese, except to those who have come under western influence. By valuing progress and efficiency, we have secured power and wealth; by ignoring them, the Chinese, until we brought disturbance, secured on the whole a peaceable existence and a life full of enjoyment.


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The noble savage: Keep the people backward and we can continue our control. Russell was a libertine and a homosexual; what he most despised in Confucianism, was the honoring of the family. He said that honoring the family was holding the country back. He said that in China, the Malthus theory of overpopulation “finds full scope.” There are too many people. One thing Dr. Wang didn’t get to—but it’s in his writings—is that Benjamin Franklin aspired to have America be as populous as China. That’s what he wanted.

And John Dewey—I won’t go through it now—he came to China from the United States, but he was working for JP Morgan, who was running the British takeover of the American banking system. He was the de-schooler. He said you should learn by doing; you shouldn’t learn from textbooks. You should all go out and dig in the dirt. I bring this up because Russell and Dewey—the words, “Russell and Dewey,” are very, very well known in China. People know that these were the people who brought “Western” thinking to China during the May 4th Movement.

And really, what happened was that 45 years later, their ideas were implemented in China in the Cultural Revolution. Schools were shut down, people were sent out to work with the farmers, scientists were attacked and killed—it was a nightmare for China, and it was these ideas, these British ideas, which gave birth to it—there’s a lot more to say about that, but they basically gave birth to what became that nightmare.

MOB14_Needham_opt.jpg


One last thing is this fellow, Joseph Needham. I’m sure none of you, except the Chinese here, have heard of Joseph Needham. The Chinese know him very well. He was one of the great British lovers of China! He loved China. He wrote seventeen volumes of Science and Civilization in China. He’s praised as somebody who “respected” the fact that the Chinese had developed great scientific ideas. And some of what he documents is true.

But what’s his purpose? His purpose was to show that all the great scientific developments in China—Let’s look at it this way: He had something called the “Needham question,” which was discussed among all China scholars for a long, long time. This was: “Why did the development of China stop, when the Renaissance took place in the West?” What made it stop? Was his answer, the Venetian Empire, the Venetian empiricists who shut down the collaboration? Was it the British Opium Wars? NO. Needham's answer was Confucianism. [Needham blamed Confucianism as the culprit] That’s what stopped China’s progress. And to explain how they had great science, he said it was mysticism that gave rise to science. Magic gives rise to science, not Confucianism.

Here’s Joseph Needham’s quote: “Rationalism proved itself less favorable than mysticism to the progress of science. . . . Science and magic are in their earlier stages indistinguishable.” I’m not kidding.
“Rational theology was anti-scientific; mystical theology proved to be pro-scientific. . . . Thus, the interest taken in the early Royal Society in what we now can see were magical claims.”

Indeed, you probably know about when Newton’s case was opened up, after they had initially refused to allow anybody to open his trunk. When they opened it, it turned out that Newton was a raving mystical fanatic, a believer in magic. Which explains why Leibniz was able to basically show that Newton was a fraud as a scientist.

So, Needham also had to explain, somehow, how the great period of scientific development in China came during that Song Dynasty Renaissance, which was the Confucian Renaissance under Zhu Xi. Well, it was pretty simple for Needham: He just basically said that Zhu Xi called himself a Confucian but he was really a Daoist. And Leibniz—who loved Zhu Xi—was a Daoist, too. I won’t go into the details, we don’t have time. But it’s a fascinating story.

I think I can close with that. We now have this Confucian Renaissance: the Confucian Institutes around the world. I think there’s a problem, still, in China. Joseph Needham is still thought of as a great hero by the Chinese.

Oh, by the way, on Joseph Needham: During the Cultural Revolution, he went to China, and then he wrote and he spoke all over the world saying that this is the greatest revolution in Chinese history. Going back to the stone age! And there’s more to say about Needham.

MOB16_Confucius_Instit_opt.jpg


But the traditions of Russell and Dewey, the traditions of Yen Fu, and the traditions of Needham are still very strong in China. This is what Xi Jinping is working against. This is what he had to root out, and still has to root out. These are fundamental issues, which are being fought out there, and luckily, in China, the humanists are winning.
We have to link up with that tradition in China, just as we have to link up with our best traditions in the West, in order to realize the kind of Renaissance which we have to bring about. And to do that, the evil of the British system, indeed, must be crushed. We have to. We won’t survive if we don’t.

So we need to know that the tremendously inspiring presentation that Helga gave this morning, was the basis on which we can move ourselves to the mission that we do have as a human race, but we do have to recognize that we have to crush this British system if we’re going to make it work.

Thank you.
Michael Billington
 
'Proud to be Japanese' posters star Chinese woman
  • 2 hours ago
  • From the sectionAsia
_96021754_72d7841b-2de6-4968-8699-9055b31a59a4.jpg


A poster promoting national pride has been the source of much confusion in Japan in recent weeks.

The posters around Kyoto were warmly welcomed by some, but touched a nerve among those concerned about rising right-wing nationalism.

But now there's a twist, as it has emerged that the model they feature is actually Chinese.

What are the posters about?
Kyoto residents began noticing the posters around the city earlier this month. They feature a girl smiling in front of the Japanese flag.

"I'm glad to be Japanese. Raise the Hinomaru with pride in your heart," the poster states, using the Japanese word for the flag.

So why did this bother people?
On the surface the poster appears to promote benign patriotism. As one person said on Twitter: "What's wrong with being proud of your country in your country?"

But others saw it as unsettling nationalism. In recent years, right-wing conservative groups have become more vocal, advocating a move away from post-war pacifism and a revisionist take on Japan's wartime history.

Japanese Twitter users have called the message behind the Kyoto poster "frightening" and "pathetic", reported news portal SoraNews24.

The fact that it appeared in Kyoto, a major tourist destination, was not lost on many.

One Twitter user said the "self-styled anti-bigotry critics" who defended it were ignoring the feelings of Japanese people with foreign roots.

Another said foreign visitors might also be made to feel unwelcome, saying: "It's a very disturbing message that the posters are transmitting."

Who was behind the posters?
At first, there was no clue. The posters state no information that identifies the publishers.

But earlier this week, Huffington Post Japan reported that Jinja Honcho, the national association of Shinto shrines, had produced them.

Shintoism, the indigenous religion which is an intrinsic part of Japan's cultural identity, has had a revival in recent decades which is closely linked with the nationalistic movement.

A spokesman told the news portal they wanted to "promote raising the national flag on national holidays, to educate the public about the importance of those national holidays".

They had first produced that particular poster in 2011 and distributed 60,000 copies to shrines across the country.

Why are the posters back in the news?
Because someone found out the woman in the poster is not Japanese. She is, in fact, Chinese.

The image is a modified version of this Getty Images photo which was produced in Beijing and tagged "Chinese ethnicity".

That matters in Japan, because the rise of nationalism and World War Two revisionism has been met with strenuous objections in China, which suffered greatly under Japanese occupation.

The hashtag #YourPatriotismWasMadeInChina has been doing the rounds in Japan.

"This reminds of me of all those MAGA (Make America Great Again) Trump hats made in China," said one person. "China is supporting all sorts of patriots around the world!"

"This really gets you thinking. What does it mean to be Japanese, anyway?" said another.

When asked about the picture's use, Blue Jean Images, the Beijing-based company which produced the original photo, said: "We have no comment as this is a very sensitive issue."

But they confirmed to the BBC the model was Chinese and that the picture was taken in 2009.

The Jinja Honcho told Huffington Post Japan this was "not a problem", as the poster "does not specifically state that the featured person is a Japanese person".

The discovery has been greeted with disbelief and amusement not only in Japan, but also in China.

On the popular Chinese microblogging network Sina Weibo, one user posted the inflammatory joke: "Surely this proves that Japanese people are actually Chinese?"

Reporting by Tessa Wong and Yuko Kato
http://www.bbc.com/news/world-asia-39880212
 

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