What's new

China Entertainment news, movies, TV, etc

Low-budget bi-love show becomes an unexpected hit
20161916364211533.jpg

After "Surprise", one of China's low-budget online shows is about to go upscale. The one word that could be used to describe LeTV's latest online drama, Go Princess Go, is "addictive". Everywhere you go, you see young people watching and talking about it. In contrast to the disappointment that came after the highly-anticipated The Legend of Mi Yue, zealous Chinese drama fans have expressed their craze for this low-budget, novel-based drama.

"I haven't read the novel, but recently I watched the drama, with the initial intention of merely to find out what is the fuss over it among Chinese netizens. It turns out to be much more enjoyable than expected because it's just simply light-hearted and entertaining - despite all the cheap-looking props, settings and costumes. The general sentiment is that the quality of the cast and an interesting story really compensate for these shortfalls. The characters are also extremely lovable," said a drama fan with the handle milquety on Facebook.

Currently, the show has raked in more than 700 million views after being released less than one month ago and is rated 8.2 out of 10 on douban.com, a Chinese SNS website, while the rate of The Legend of Mi Yue was only 4.9.

A male's mind in a female's body

This is the history of the struggle of a 'woman' in the harem. At the same time, this is also the history of the suffering of a 'man' in the harem. The biggest attraction for audiences seems to be the bisexual relationships of main character Zhang Pengpeng , who has a man's mind in a woman's body.

The story is set in motion when a modern playboy named Zhang Peng umps into a swimming pool to save a girl's life, but is accidently kicked in the head and falls unconscious. Upon waking, he discovers that he now inhabits the body of a beautiful woman living in ancient China named Zhang Pengpeng, who Zhang later realizes is the wife of a prince. Comedy ensues as Zhang tries to survive as a woman with a straight man's mind.

When the show first starts, Zhang often flirts with his maid and his husband's other concubines, most of whom are voluptuous women who don't care when Zhang comes into contact with their bodies since he's in a woman's body. However, love comes in time and he falls in love with his husband. as he finds his more feminine side, and even has sex with him.

It's rare to see a gender-bending role such as this appear so prominently in a Chinese drama. With Zhang's male spirit and female body, each relationship between the two sexes develops quite naturally.

Ungryhippo, another drama fan, said, "I admit there are times I've forgotten that the crown princess is really a man and I've discovered he seems to be rather accepting of his new body and perhaps even the love interests of two men. The romantic scenes are wonderfully played out and unexpectedly unique and not too cliché. I am definitely looking forward to the upcoming episodes."

In an interview with Xinhua news, screenwriter Qin Shuang, a talented post-85s said, "I aim to subvert the conventions of the costume drama. If every scene is brilliant, your production is going to be utterly monotonous. Creativity and entertainment value should be your primary considerations. "As for the success of the drama, she said she never expected it to happen.

A low-budget but creative hit

Unlike other domestic TV shows that have high budgets for every episode, Go Princess Go is a very low-budget show.

Some netizens have found that costumes look like they were made from curtain fabric and there is a noticeable lack of patterns, and the accessories look like they were bought from street vendors. Some netizens even joked that all of the dreamlike scenes with wind and fog seem to be made from a blower!

There are no background actors. In scenes where there should be crowds of people, such as an ancient football match or a grand meeting, only several figures are ever seen in the background. Even the emperor, father-in-law to the princess, never makes an appearance and is only talked about by other characters.

Director Lv Haojiji explained. "This is my first Internet show; I want to do something different, but special. As for the clothes, I refer to some designs of European fashion brands in season 2014-2015 instead of using the traditional and cliché costumes. Maybe it is a bit difficult to accept this kind of new fashion style," Lv said.

"Because of the lack of money, the whole cast and crew are mostly made of amateurs. But we did our best. In most cases, we needed to hold multiple jobs simultaneously. All the shoes of the leading actors and actresses were bought by me on Taobao, the Chinese giant online retailer. It took me several months to finish" Lv said

The popularity of Go Princess Go tells us that a lack of budget doesn't have to hurt ratings. Audiences don't really care where a show bought its costumes or how much money it spent. All they care about is whether a show can continue to amuse, shock and impress them. Innovation, boldness and sincerity are more important than extravagant budgets.
108f716889.jpg

 
.
Gong Li, Aaron Kwok, and Feng Shaofeng Promote 'The Monkey King 2' in Chengdu
2016-01-31 17:46:24 CRIENGLISH.com Web Editor: Huang Shan

6731d1fb76d04b438b33004efb6ed584.jpg

The leading cast of ‘The Monkey King 2’ shows up in Chengdu, southwest China’s Sichuan Province, to promote the feature film on Saturday.

The leading cast of 'The Monkey King 2' showed up in Chengdu, southwest China's Sichuan Province, on Saturday, in support of their new feature film.

World-renowned actress Gong Li, as well as famous actor Aaron Kwok and Feng Shaofeng, all made an appearance at the promotion event.

This action fantasy film is a 3D sequel to the 2014 box office hit.

Like the first installment, it is adapted from novel 'Journey to the West' by Wu Cheng'en, one of China's four literary classics.

Feng Shaofeng plays Tang Sanzang, a monk with a sense of humor, in the film. He is the master of three apprentices, and also a character that would be induced by enchantress.

Hong Kong singer and actor Aaron Kwok takes the role with enormous pressure, as the Monkey King.

'The Monkey King 2' also stars Chung Him Law and Xiao Shenyan.

The first installment of the franchise claimed 152 million US dollars at the box office, but this sequel with a brand new cast will offer a different story.

'The Monkey King 2' in 3D will hit big screens in China on February 8th, the first day of China's Spring Festival holiday.
 
.
China's box office sets record day high
Xinhua, February 9, 2016

China's box office set a record high for a single day on Monday, the traditional Lunar new year's day, according to the film administration.

Box office sales reached 660 million yuan (100.5 million U.S. dollars) on the day, breaking the record on July 18, 2015 when the box office reached 425 million yuan, the State Administration of Press, Publication, Radio, Film and Television said.

China's Spring Festival this year fell on Monday, the first day of the Lunar Year of the Monkey. Chinese people are enjoying a week-long holiday beginning on Sunday.

Director Stephen Chow's "The Mermaid," topped the box office on its Monday premiere with 270 million yuan, setting a new record for China's homemade movies on one day.

"From Vegas to Macao 3" and "The Monkey King 2," also debuted on Monday and both of their box offices surpassed 100 million yuan.

The box office in China reached 44.1 billion yuan last year, a 48.7 percent rise year-on-year.
 
.
Stephen Chow's 'The Mermaid' Breaks China's Single Day Box Office Record
2016-02-11 07:58:46 | CRIENGLISH.com | Web Editor: Yang Tiantian

66fb215d5e1c484ca477f87fb4ee2481.jpg

A poster of 'The Mermaid'. [Photo: mtime.com]
The Mermaid has made a record-breaking splash at the Chinese box office on the first day of the Chinese Lunar New Year.

Setting a new single-day record for Chinese domestic movies, the film pulled in more than 270 million yuan on its debut.

Stephen Chow, Hong Kong comedian and director of The Mermaid, explains his idea about his film.

"The Mermaid is a fairy tale story, but this time it's different than before, filled with material concerning the earth and environmental issues. First of all, we assume that the mermaid really exists in the world and the treatment of these species reflects what is done to the earth now."

Another of Chow's film "Journey to the West: Conquering the Demons", which was released in 2013, grossed 1.2 billion yuan on the Chinese mainland alone and ranks as one of the highest grossing Chinese films.
 
.
6th Beijing International Film Festival Kicks off
2016-04-16 19:56:03 | Xinhua | Web Editor: Wang Kun


51642c413c194582beb1a9aad50b5485.jpg

This panoramic photo taken on April 16, 2016 shows the scene of the red carpet of the 6th Beijing International Film Festival (BJIFF) in Beijing, capital of China. The BJIFF kicked off Saturday and will last until April 23. [Photo: Xinhua]

The 6th Beijing International Film Festival kicked off in Beijing on Saturday with a starry attendance and hundreds of movies to be screened.

Celebrities including Oscar winners Natalie Portman and Christoph Waltz, American film directors Anthony and Joe Russo, and Hong Kong actor Chow Yun-fat attended the opening ceremony.

A total of 2,329 films from 105 countries and regions have applied for screening during this year's festival. About 500 films have been selected by the organization committee to be screened, up from about 300 last year.

Fifteen movies have been accepted for the main competition and a chance at the Tiantan Award, which offers honors in ten categories, including best feature film, best director, best actor, best actress and best music.

The event, which will run until 23, will also be participated by more than 200 film-related companies and institutions that will display their products and technologies.

The festival has attracted increasing global attentions thanks to China's booming film market, the world's second largest with 44 billion yuan (6.8 bln U.S.dollars) in box office sales in 2015. The festival last year inked deals worth 13.8 bln yuan.

eb36a22fcb474decbd3afd26d92ff2c2.jpg

Cast members of the movie "Call Love at the Center of the World" walk the red carpet as they attend the opening ceremony of the 6th Beijing International Film Festival (BJIFF) in Beijing, capital of China, April 16, 2016. The BJIFF kicked off Saturday and will last until April 23. [Photo: Xinhua/Zheng Huansong]

d4e80b24d1014eddb759bcf9ea96ad96.jpg

Actor Aaron Kwok (1st L), Tony Leung Ka Fai (2nd L), Chow Yun Fat (C) and his wife Jasmine Tan (2nd R) walk the red carpet as they attend the opening ceremony of the 6th Beijing International Film Festival (BJIFF) in Beijing, capital of China, April 16, 2016. The BJIFF kicked off Saturday and will last until April 23. [Photo: Xinhua/Li Xin]

97fbb7c3e9874955acacb9206b57791d.jpg

Actress Yao Chen (L), Hao Lei (C) and Tang Yan attend a red carpet event held for the opening ceremony of the 6th Beijing International Film Festival (BJIFF) in Beijing, capital of China, April 16, 2016. The BJIFF kicked off Saturday and will last until April 23. [Photo: Xinhua/Cai Yang]

bd5d698a74f540b1be2f7d51c830c967.jpg

Cast members of the movie "Song of the Phoenix" walk the red carpet as they attend the opening ceremony of the 6th Beijing International Film Festival (BJIFF) in Beijing, capital of China, April 16, 2016. The BJIFF kicked off Saturday and will last until April 23. [Photo: Xinhua]

20160417063648172_80184.jpg

Actress Tang Wei (L), Xue Xiaolu (C) and actor Wu Xiubo walk the red carpet as they attend the opening ceremony of the 6th Beijing International Film Festival (BJIFF) in Beijing, capital of China, April 16, 2016. The BJIFF kicked off Saturday and will last until April 23. [Photo: Xinhua/Luo Xiaoguang]

a0481b99eca8427a9ffaa3030804e1db.jpg

Actor Liu Ye (L) and actress Natalie Portman attend the opening ceremony of the 6th Beijing International Film Festival (BJIFF) in Beijing, capital of China, April 16, 2016. The BJIFF kicked off Saturday and will last until April 23. [Photo: Xinhua/Mao Siqian]
 
.
China's Domestic Animated Films See 78.6% Box-office Surge
2016-04-29 07:25:13 CRIENGLISH.com Web Editor: Li Linxi

4567acf2e63d436a9a0f16b324c02d9b.jpg


A poster of the film "Monkey King: Hero is Back". [Photo: mtime.com]

A new report shows that domestic animated films screened in China have generated more than 2 billion yuan, around 300 million U.S. dollars in 2015.

That's a growth rate of 78.6 percent, year on year.

"Monkey King: Hero is Back," topped China's domestic film box office chart.

Fourteen foreign animations were screened in China last year, a quarter of the total number.

However, they took more than half of box office revenue for animated movies.


Box office revenue is expected to surpass 6 billion yuan this year.
 
.
If more people are aware of this history, maybe the Americans and the Chinese will get along better with each other....

--------
It's Time for an American Film Depicting the Chinese Theater of World War II

Why has Hollywood shied away from films about Sino-U.S. cooperation during the Second World War?

By Robert Farley
February 15, 2016

Several scholars have recently begun a conversation about why the history of China’s contribution to World War II has fallen out of the mainstream American historical conversation. The Second Sino-Japanese War was immensely destructive, served to set the stage for the Pacific War, but has received comparatively little attention relative to the other main theaters of conflict in World War II. Deflecting the historiographical question for a moment, why have so few American filmmakers tackled such a potentially rich topic?

The simple, straightforward answer is this: Americans do not make many movies about World War II that do not prominently feature Americans. World War II’s Eastern Front has a few entries: Enemy at the Gates, a 2001 film about the Battle of Stalingrad, took advantage of the wake of Saving Private Ryan to earn back its budget and a bit more. 1977’s Cross of Iron (a British-German production directed by American Sam Peckinpah) depicted the German side of the conflict. Defiance, a 2008 film about Jewish partisan activity in Belarus, straddled the border between war movie and Holocaust film.

But the China Theater differs a bit, because individual Americans did play prominent roles in the conflict. General Joseph Stilwell starred, so to speak, in Barbara Tuchman’s popular Stilwell and the American Experience in China. The equally colorful General Claire Chennault led the American Volunteer Group (Flying Tigers) and later the US Army Air Force’s Fourteenth Air Force. During the war, these figures regularly appeared in the pages of Time magazine and other publications, keeping the Sino-Japanese theater alive for American readers. One of Frank Capra’s seven Why We Fight films covered China’s struggle. More recently, other elements of the Sino-Japanese conflict have also found their way into American pop culture. The late Iris Chang’s The Rape of Nanking achieved huge success in the United States.

But the closest we have to a recent American movie about the war is Stephen Spielberg’s 1987 film, Empire of the Sun. That film traces the experiences of a British boy in the Shanghai Concession, and later in an internment camp. The most important reason for the sudden decline in American interest in the Sino-Japanese conflict may lie in the dramatic political about face in East Asia in 1949. Within a very short period of time, China’s heroic defenders were driven into the sea by hostile communists, just as Japan began its long march to reintegration into the community of nations. Films that depicted Japanese depredations against China became very difficult to make.

With that in mind, the time may have come for a biopic about Joseph Stilwell, or an action film depicting the experiences of the Flying Tigers. U.S. studios have greater access to Chinese acting talent (not to mention locations) than ever before, and a film about the joint U.S.-Chinese war effort might enjoy success on both sides of the Pacific.

-------

I hope more film makers will make these type of films.
 
.
Internal consumption increasing ... contributing to China's film industry.

----------
China's box office certain to overtake US as takings up 50% in 2016's first quarter

Huge rises in number of screens, homegrown hits and admissions have meant China set to overtake US as biggest movie market in 2017, even as Chinese ticket prices fall and local directors bemoan quality of talent

China is set to become the highest-grossing cinema territory in the world next year, based on the rise in its takings over the past 15 months.

In the last quarter, revenues from cinemas in the mainland of China rose by 50%, in line with rises witnessed throughout 2015.

If sustained, China would make more than $10bn in 2016, closing in on the US 2015 total of $11bn. The north American box office plateaued around $10bn for eight years, before a 7.3% rise in 2015 took receipts into the teens.

The first quarter Chinese box office gross in 2015 was RMB9.663bn, rising to RMB14.49bn for the three months just ended. Last year’s total was RMB44bn ($6.78bn).

Takings have risen alongside the number of cinema screens: in 2015, 8,035 were added in China, at the rate of 22 per day, upping the total by around 40% to 31,627 screens. By the end of 2016, China is expected to have beaten the US, which has just shy of 40,000.

The 51.08% year-on-year rise in admissions in China accounts for how the territory was able to combat its comparatively low ticket price: $5.36, more than three dollars cheaper than the US’s $8.38. China’s average ticket price has actually fallen 2.5% from its 2015 figure. More than 60% of bookings taken in the country are made online.

China’s mushrooming numbers are also credited to its booming local industry, with incentives in place for cinemas which show domestic rather than Hollywood films. Chinese movies accounted for 61.48% of ticket sales in 2015, with many of the biggest hits – such as The Mermaid, The Monkey King 2 and The Man From Macau 3 – falling into this category.

While some US movies performed well – Zootopia is currently on $207m – others did not make it to release in China. The country does not have an official certification system and all films are edited to be acceptable for all ages, with authorities and film-makers usually liaising over required cuts.

In the case of Deadpool – which earlier this week became the best-performing R-rated film ever – the frequency of inappropriate material meant a compromise could not be met.

Batman v Superman: Dawn of Justice, by contrast, was afforded release, and boosted month-end takings around the globe, including in China.

Over the Chinese New Year period in 2016, the country set a new record for the highest box office gross during one week in one territory. It made $548m, overtaking the previous record of $529.6m, which was set over the 2015 Christmas week in north America.
 
.
When you have a big market and a big wallet, everyone wants a piece of it. This makes perfect sense.

--------
Hollywood embraces China as a film location
By Yao Minji | June 10, 2016, Friday |

020160608223210.jpg

The overpass featured in 2013 film “Her” is in Pudong’s Lujiazui area

IN the 2013 film “Her,” Theodore Twombly (played by Joaquin Phoenix) walks through an overpass to work and then returns home to his love interest, the intelligent computer system he named Samantha (Scarlett Johansson).

The story was set in a futuristic world that many thought was Los Angeles. Well, mostly. Yet the overpass and space-age skyscraper scenes were shot in Pudong on Shanghai’s east bank.

Now, with China poised to become the world’s largest movie market by 2020, film producers are increasingly anxious to tap into the hearts and minds of Chinese audiences by using scenes from their own backyards in production sites.

Of course, cinema is nothing new to Shanghai, which was once the movie capital of the East.

Long before the age of Hollywood blockbusters, the city hosted many film productions capturing the interwoven Oriental and Western themes that made Shanghai so intriguing. They mirrored much of East-meets-West confluence of ideas, art, architecture and lifestyle.

The traditional shikumen (stone-gate) houses, of Shanghai, for example, were heavily influenced by Western-style row houses. And the Art Deco style that flourished internationally in the 1920s to 1940s is still preserved in often hidden buildings and alleyways in the city.

There’s no landmark in Shanghai more popular with filmmakers than the Bund. Its history as the elegant home of some of the most famous companies in the world in the 1930s has never been far from the camera lens.

Small wonder that Steven Spielberg persevered through a year of negotiations to secure permission to shoot on location in Shanghai for his 1987 movie “Empire of the Sun,” starring young Christian Bale as the wealthy British schoolboy who ended up as a prisoner in a Japanese internment camp during the occupation of the city.

In the movie, Spielberg had crowds of Chinese and foreigners running along the Bund to reconstruct the hustle and bustle of Shanghai in the 1940s, when it was known as the Paris of the Orient.

Ang Lee’s acclaimed 2007 film “Lust, Caution” was set in the same period. The espionage thriller, based on a novella by Chinese author Eileen Chang, takes place during the Japanese occupation. Scenes were shot throughout the city, including the Majestic Theater on Nanjing Road W., where Wong Chia-Chi (Tang Wei) meets one of her classmates, and the water town of Xinchang in suburban Shanghai, with its characteristic ancient bridges and canals.

Chinese moviegoers seem to like a bit of their own culture and country appearing on the Hollywood silver screen. In some cases, filming here helps a movie company fulfill the requirements of a coproduction, allowing the finished film a waiver from the annual China quota of 34 imported films.

When Tom Cruise was seen jumping off the 53-story Bank of China Tower in the Lujiazui financial zone of Pudong in “Mission: Impossible III” (2006), the movie became a hot topic in China before it actually was screened here.

The movie was a big success in the fiercely competitive summer holiday season and was the third best-selling foreign film in China that year. Its success certainly paved the way for the next two in the series, with last year’s “Mission: Impossible V” amassing more than 100 million yuan (US$15.22 million) at the box office in China on its first day.

With those kinds of numbers, could James Bond be far behind?

“Skyfall” in 2012, the 23rd movie in the Bond series, also had its China moments, featuring breathtaking nighttime aerial footage of the city’s Lujiazui area. Never mind that all the ground-level scenes in Shanghai were actually filmed in London.

Shanghai has no end of interesting landmarks to draw the attention of filmmakers. Other popular locations include the Xujiahui Catholic Cathedral, the Peace Hotel, the shikumen houses, and the longtang, or back alley lanes.

As more Chinese companies enter into coproduction pacts with film studios around the world, expect to see a lot more international film crews on the streets of Shanghai.
 
.
When you have a big market and a big wallet, everyone wants a piece of it. This makes perfect sense.

--------
Hollywood embraces China as a film location
By Yao Minji | June 10, 2016, Friday |

View attachment 309794
The overpass featured in 2013 film “Her” is in Pudong’s Lujiazui area

IN the 2013 film “Her,” Theodore Twombly (played by Joaquin Phoenix) walks through an overpass to work and then returns home to his love interest, the intelligent computer system he named Samantha (Scarlett Johansson).

The story was set in a futuristic world that many thought was Los Angeles. Well, mostly. Yet the overpass and space-age skyscraper scenes were shot in Pudong on Shanghai’s east bank.

Now, with China poised to become the world’s largest movie market by 2020, film producers are increasingly anxious to tap into the hearts and minds of Chinese audiences by using scenes from their own backyards in production sites.

Of course, cinema is nothing new to Shanghai, which was once the movie capital of the East.

Long before the age of Hollywood blockbusters, the city hosted many film productions capturing the interwoven Oriental and Western themes that made Shanghai so intriguing. They mirrored much of East-meets-West confluence of ideas, art, architecture and lifestyle.

The traditional shikumen (stone-gate) houses, of Shanghai, for example, were heavily influenced by Western-style row houses. And the Art Deco style that flourished internationally in the 1920s to 1940s is still preserved in often hidden buildings and alleyways in the city.

There’s no landmark in Shanghai more popular with filmmakers than the Bund. Its history as the elegant home of some of the most famous companies in the world in the 1930s has never been far from the camera lens.

Small wonder that Steven Spielberg persevered through a year of negotiations to secure permission to shoot on location in Shanghai for his 1987 movie “Empire of the Sun,” starring young Christian Bale as the wealthy British schoolboy who ended up as a prisoner in a Japanese internment camp during the occupation of the city.

In the movie, Spielberg had crowds of Chinese and foreigners running along the Bund to reconstruct the hustle and bustle of Shanghai in the 1940s, when it was known as the Paris of the Orient.

Ang Lee’s acclaimed 2007 film “Lust, Caution” was set in the same period. The espionage thriller, based on a novella by Chinese author Eileen Chang, takes place during the Japanese occupation. Scenes were shot throughout the city, including the Majestic Theater on Nanjing Road W., where Wong Chia-Chi (Tang Wei) meets one of her classmates, and the water town of Xinchang in suburban Shanghai, with its characteristic ancient bridges and canals.

Chinese moviegoers seem to like a bit of their own culture and country appearing on the Hollywood silver screen. In some cases, filming here helps a movie company fulfill the requirements of a coproduction, allowing the finished film a waiver from the annual China quota of 34 imported films.

When Tom Cruise was seen jumping off the 53-story Bank of China Tower in the Lujiazui financial zone of Pudong in “Mission: Impossible III” (2006), the movie became a hot topic in China before it actually was screened here.

The movie was a big success in the fiercely competitive summer holiday season and was the third best-selling foreign film in China that year. Its success certainly paved the way for the next two in the series, with last year’s “Mission: Impossible V” amassing more than 100 million yuan (US$15.22 million) at the box office in China on its first day.

With those kinds of numbers, could James Bond be far behind?

“Skyfall” in 2012, the 23rd movie in the Bond series, also had its China moments, featuring breathtaking nighttime aerial footage of the city’s Lujiazui area. Never mind that all the ground-level scenes in Shanghai were actually filmed in London.

Shanghai has no end of interesting landmarks to draw the attention of filmmakers. Other popular locations include the Xujiahui Catholic Cathedral, the Peace Hotel, the shikumen houses, and the longtang, or back alley lanes.

As more Chinese companies enter into coproduction pacts with film studios around the world, expect to see a lot more international film crews on the streets of Shanghai.
very typical Chinese white worship behavior. But yet Hollywood love depicting Chinese as bad guys as in the latest movie Now you see Me 2.
Chinese with this mindset will get no respect from foreigners .
 
.
19th Shanghai International Film Festival Kicks off
2016-06-12 00:52:51 Xinhua Web Editor: Huang Yue

Shanghai rolled out red carpet Saturday evening for the 19th Shanghai International Film Festival (SIFF), an international event attended by hundreds of celebrities and specialists from the global film industry.

At the opening ceremony at Shanghai Grand Theatre, British actor Ian McKellen and Chinese actor Jiao Huang recited the verses by William Shakespeare to salute the great playwright.

Serbian filmmaker Emir Kusturica is to chair the jury panel for the Golden Goblet Awards. Italian director Daniele Luchetti, Chinese novelist Yan Geling and young director Pema Tseden are among the jury members.

The 14 shortlisted films include Mr. Church by Australian director Bruce Beresford, Salt and Fire by German filmmaker Werner Herzog, Forest, 4 AM by Polish director Jan Jakub Kolski, as well as Cock and Bull by Chinese director Cao Baoping.

More than 500 films are to be screened during the nine-day event, including the Harry Potter series and James Bond films.

China's first virtual reality movie show will be staged during this year's film festival.

Since it was initiated in 1993, the SIFF has been an A-category international film festival and one of the largest film festivals in East Asia.

China's film market has grown well in recent years with box office sales reaching 44 billion yuan (6.8 billion U.S. dollars) in 2015, up 48.7 percent from 2014. Annual box office receipts could surpass North America as soon as 2017.

Some pictures from the SIFF:-

This is one beautiful couple!
3b55003cf402410c8b459487bbf33bef.jpg

Actor Huang Xiaoming and his actress wife Angelababy walk the red carpet at the 19th Shanghai International Film Festival in Shanghai, east China, June 11, 2016. [Photo: sina.com.cn/Wang Yuanhong]


170ab18f707446bda7d04a6b557f8d5e.jpg

Actress Liu Yifei and actor Kris Wu walk the red carpet at the 19th Shanghai International Film Festival in Shanghai, east China, June 11, 2016. [Photo: sina.com.cn/Wang Yuanhong]
 
.
China issues strict limits on foreign-inspired TV programs
Xinhua, June 19, 2016

China's television regulator on Sunday issued strict limits on foreign-inspired TV programs in a bid to boost innovation of homemade programs.

Overseas programs with imported copyrights are not allowed to be broadcast on satellite TV channels without the approval of local regulators and a complete filing procedure, the State Administration of Press, Publication, Radio, Film and Television (SAPPRFT) said in a notice.

Chinese satellite TV channels in recent years copied the models of a number of foreign TV programs by importing the copyrights, making them popular TV programs in the country.

For instance, the Running Man broadcast in Zhejiang TV Channel copied an entertainment program of SBS TV in the Republic of Korea, and another popular program, The Voice of China, was inspired by The Voice of Holland.

The broadcast of those foreign-inspired programs should be firstly put on records in local provincial regulators two months in advance, and the local regulators will report to the SAPPRFT after approving.

All satellite TV channels are allowed to broadcast only two programs with imported copyrights during the prime time from 7:30 p.m. to 10:30 p.m. every year. Only one new program is allowed to broadcast every year, but it cannot be broadcast during the prime time in the first year, the notice said.

Since July 1, newly-imported TV programs will be banned from being broadcast immediately if it is not put on records as the notice asks. Furthermore, this TV channel will be banned from broadcasting any foreign-inspired programs in one year.

The SAPPRFT said the new regulation came as many TV channels rely on foreign programs, with little original ones. The new regulation will boost self-innovation of Chinese TV channels.

Only self-innovated TV programs with Chinese cultural inheritance and characteristics can better carry the Chinese Dream themes, the socialist core values, as well as patriotism and Chinese fine traditions, the notice said, adding that those homemade programs can tell Chinese stories and advocate Chinese spirit better.

The SAPPRFT urged all TV institutions to view original programs as the core of their work, especially increasing the proportion of original programs in prime time in the evening.

***

Best culture news of the year so far.
 
.
This should have been done earlier...
--------
China puts squeeze on imported TV shows and remakes
2016-06-20 08:30 | China Daily | Editor: Mo Hong'e

China's media regulator has issued a directive limiting imported TV shows and remakes, aiming to promote domestic originality. Insiders have called for more training of producers.

With authorized remakes of foreign TV reality shows gaining popularity in China, the State Administration of Press, Publication, Radio, Film and Television ordered that all television stations must stop airing unapproved programs that are based on overseas formats starting July 1.

The licensing of TV programs, concepts and branding created overseas-mostly shows from Europe and South Korea-has been a growing trend in China since 2012.

Adapted versions of foreign shows, such as the South Korean Running Man and The Voice of China, imported from the Netherlands, have gained massive audiences as well as advertising revenues, thus inspiring more Chinese television groups to buy foreign material.

Citing the importance of promoting "Chinese cultural characteristics", the administration said in a statement published on Saturday that it will require all TV groups to submit imported shows for content review two months before broadcast. Only those that are approved can be aired on national channels.

Under the regulation, a satellite channel can air no more than two imported or foreign-adapted TV reality series during prime time between 7:30 pm and 10:30 pm annually.

"The reliance on imported program formats has been squeezing out the creative incentive of domestic producers and broadcasters," the statement said. "Audiences are craving more Chinese original programs that are fun to watch and feature healthy tastes."

Gao Changli, director of the administration's publicity department, confirmed on Sunday that the directive was sent to all TV groups. Gao declined to comment about enforcement.

Because of a lack of production expertise in China, buying fully developed programs and formats from overseas is preferable for executives over taking risks on domestic originals, said Hu Zhifeng, a professor of television and broadcasting studies at Communication University of China.

"Local producers and broadcasters have to consciously learn from foreign crews to adapt and reproduce overseas works," he said. "They should be better trained to get more know-how to create program formats with independent intellectual property rights."
 
.
China issues strict limits on foreign-inspired TV programs
Xinhua, June 19, 2016

China puts squeeze on imported TV shows and remakes
2016-06-20 08:30 | China Daily | Editor: Mo Hong'e

especially the Korean ones. I think they are more damaging than western TV. Their fake shit "historical" drama is further brainwashing the koreans and to some extent Chinese that Korea was a great country where they claimed was the birthplace of Confucius, as well as the birth place of Chinese civilization :lol:
 
.
especially the Korean ones. I think they are more damaging than western TV. Their fake shit "historical" drama is further brainwashing the koreans and to some extent Chinese that Korea was a great country where they claimed was the birthplace of Confucius, as well as the birth place of Chinese civilization :lol:

So long as they do not make foreign religious propaganda, I am not particularly concerned about Korea's competition and claim of ownership over Confucius culture and traditions. After all, they will not brainwash as about who is the cultural center of East Asia, LOL.
 
.

Pakistan Affairs Latest Posts

Back
Top Bottom