Those are Persian paintings, simply because they originated in Iran, were created by Persian artists and have their origins in Persian culture. It doesn't matter who rule the country. There is nothing Turkic about these paintings.
You are not reading attentively - none of the paintings (miniatures) presented here are "Persian", none of them were made by ethnic Persians, and there was no country by the name of Iran or Persia at the time. So it's impossible to call it "Persian". All these paintings (miniatures) were done in Tabriz, capital of Azerbaijan, and often the seat (capital) of the Azerbaijani Turkic empires that ruled everything from Central Asia to Caucasus to Anatolia to Iraq and Syria (and beyond), and the entire Iranian Plateau, Afghanistan, and Northern India.
For some reason, the truly ethnically Persian areas, such as Fars, are not as well known for miniatures. The miniatures presented above are clearly of the Tabriz masters, who were Azerbaijani Turks. There is actually nothing "Persian" in those miniatures, they are depicting Turkic people in Turkic and Muslim dresses. And yes, it does matter who was ruling the entire area at the time - note that I don't say "country" because Iran or Persia was not a country, but was part of the larger empires that I cited above. At the same time, Azerbaijani Turkic rulers were not some "foreign overlords", they were living on their lands - certainly mixing with other Turkic people (of Kipchak origin), as well as Iranic and Semitic and Caucasian people (just like Persians did when they invaded the Iranian Plateau around the end of the 7th century BC and Persianized the local population of Elam, Urartu, and Manna, who were all of Caucasian origin, Caucasian-speaking (and yes, Persians do not have 3,000 years of history in what is today Iran - at most 2,700 years. Only mention this because you cited 3,000 years myth elsewhere in this thread).
You mean real scholars, in contrast to 16-year old Grey Wolf nationalistic Turks on the internet who try to claim almost every Iranian historical/cultural element, simply because their own culture doesn't reach further than yurt tents and nomadic barbarity.
Sure, "real scholars" who have been disproven many times over and are incapable of explaining some basic logical fallacies of their "scholarship". Everyone has 16-year old nationalists - Turks might have Grey Wolves, and Persians and other pan-Iranists like yourself have their "lions" and "tigers" imagining they are in Shahname (which, by the way, was commissioned and paid for by a Turkic ruler, a Ghaznevid, who asked a Tajik writer Firdowsi to write it - and who basically ripped it off from two other Persian writers).
First of all, most artist, in which period in Iran whatsoever, were Persian. Iran, whether ruled by Arabs of Turks, have always remained its indigenous Iranian culture. These paintings weren't made by Turks.
First of all, you don't make sense at all. Secondly, not everything in "Iran" is/was "Persian". Thirdly, only a Persian or pan-Iranist would claim that something done 1) in a Turkic-populated region, 2) with a Turkic ruler, 3) with Turkic language being officially used in the court and army, 4) and writing using an Arabic alphabet, and 5) in a language heavily infused with both Arabic and Turkic words, or in case of miniatures, depicting Turkic people in Turkic or Muslim costumes and customs - to be "Persian". Funny how that cultural misappropriation works.
Safavids originated in Persian Kurdistan, and weren't Turks, although there was a linguistic and militaristic Turkic influence in the empire.
No, Safavids didn't originate in "Persian Kurdistan", whatever that even means. That's a theory of one favorite pan-Iranist professor in the West, whose scholarship is gladly sponsored by Iranians. He can't prove that, and neither can you. Why would then Ismail Safavi - who, ironically according to you, was not even Persian then, but Kurdish - speak and write 99% of his poetry (his
Divan) in Turki? Why would most of his troops be Azerbaijani Turks? Why would their name be a Turkic word,
Qizilbash? Why would Ismail first crown himself as
Shah of Azerbaijan in 1501, and only the next year, in 1502, as Shah of Dowlat-e-Safavi (which you and other pan-Iranists simply call "Persia" and/or "Iran", even though that's not the official name of the Empire)?
Oh, and before I forget - shah Ismail Khatayi Safavi was a legitimate successor to his Aq-Qoyunlu
grandfather, Uzun Hasan. Shah Ismail used his grandfather's connection to bolster his own legitimacy.
And finally - Safavids, like many other Turkic, Persian, Afghan, and Kurdish rulers, have falsified their own biographies, to make them direct descendants of prophet Muhammad (pbuh), who, strictly speaking, was ethnically Arab. So I guess we should believe that Safavids were ... Arabs!
And you seem to forget that the Safavids didn't promote Turkic culture in Iran, but even resurrected Persian culture, which they proudly identified with. So the claim that these paintings must be Turkic only because the rulers were Turks is not only laughable, but also incorrect.
Safavid's didn't promote Turkic culture in "Iran" (you mean in their eponymous empire, Safavid Empire)? Really? Aside from Uzun Hasan, ruler of Aq Qoyunly, being the grandfather of Shah Ismail, is that why they wrote their poetry in Azerbaijani Turki (also known as Turki-yi Acemi)? Is that why even Shah Abbas (greatgrandson of Shah Ismail) was chronicled by his contemporary, an ARMENIAN chronicler, Arakel of Tabriz, to speak Azerbaijani Turkish in court and in private, including to an Armenian that Arakel writes about in his book? So, please stop these laughable insinuations - just because you repeat that white is black won't make it so.
Please take a look at this - this is the first page of the Diwan of Shah Ismail (known by his pen-name Khatayi).
http://upload.wikimedia.org/wikipedia/commons/f/f8/Diwan_of_Shah_Ismail_Khatai.jpg
It was written by him - supposedly a Persianized Kurdish ruler who "resurrected" "Persian culture" with which he "proudly identified with" as you claim. Since you believe that, please show me anyhing "Persian" in this text? Is the alphabet Persian? No, it's Arabic. Is the text of the poem (Diwan) in Persian? Nope, not even that, it's in Turki.
Let me quote these verses from Khatayi, and then you can maybe try to explain to me why he identifies as a Turk, and not a "Iranian" or "Persian".
"Getdükcə tükənür ərəbün kuyi məskəni,
Bağdad içində hər necə kim, türkman qopar."
TRANSLATION: Slowly fades away the home of Arab,
As Turkmans roam inside Baghdad.
In the same poem he also uses the word "Ajam" to refer to a foreign element, so he definitely did not see himself as an Iranian/Persian.
Here's the rest of the poem, please translate it for us, from "Persian"
)))
Bu sürahi dilbəri-rəna kimidir qaməti,
Ruh tək hər kim ki, rahin içər, artar rahəti.
Vəsfinin şərhin deməkdə nitqi yoxdur kimsənin,
Həq humayun eyləmiş bəzm içrə sahib dövləti.
Ləlü cövhərdən mürəssə qılmış ani həq təmam,
Bu səadətdən müdami kimsənin yox minnəti.
Gecələr məclis içində oturub ol sərfəraz,
Eylə mehmandır anın hər yerdə vardır izzəti.
Ey Xətayi, deməgil anın şərabın sən həram,
Sinəsinə nurtək dolmuş ilahin rəhməti.
There is nothing Turkic about these paintings. The same count for every other cultural element in the Safavid, Afsharid, Seljuq or Qajar empires.
Really? There is "nothing Turkic" in the paintings (miniatures) done by Turkic artists from Tabriz, depicting Turkic people (rulers), doing it for Turkic rulers, who spoke Azerbaijani Turki at home, in court and with their army? Hmmm. OK, if you say so.
BTW, here's something to read about Azerbaijani Turki in the Safavid times:
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And here's from Prof. Minorsky:
http://s019.radikal.ru/i609/1302/6a/bfb6f8b2c482.png
"The Formation of the Safawid Empire
Safawid rule over Persia is conventionally dated from Shah Isma'ils capture of Tabriz in the aftermath of his victory over the Aq-Qoyunlu ruler Alwand at Sharur in 907/1501. But there was still a very long way to go before Isma'il could be regarded as anything more than a potential successor to the Aq-Qoyunlu in Azarbayjan. Nor, for some years, was the geographical shape of the new state by any means clear. It may be that Isma'il's expectation was that he would be able to set up an essentially Turkmen empire after the Aq-Qoyunlu pattern, consisting of eastern Anatolia, Azarbayjan, westem Persia and Iraq. After all, the military following on which he depended was Turkmen in composition, he had fixed his capital at Tabriz, the now traditional Turkmen centre on the periphery of Persia proper, and he may have seen himself as in some sense the legitimate successor to his Aq-Qoyunlu grandfather, Uzun Hasan. The direction of Isma'ill's early campaigns certainly suggested that it was the Turkmen heritage he was primarily interested in."
Source: David Morgan. "Shah Isma'il and the Establishment of Shi'ism", Ch. 12 of his Medieval Persia: 1040-1797, Longman, New York, 1988, pp. 112-123.
"In 1501 Ismail, the leader of a Shiite religious group the Safavids, became Shah of Persia. Ismail was ethnically Turkish, as therefore was the Safavid dynasty that he now founded. His accession to power and the establishment of his family on the throne reignited the border wars between the rulers of Iran and those of the Middle East."
Source: Christopher Catherwood. A Brief History of the Middle East: From Abraham to Arafat. ISBN-10: 1841198706
"The Safavid threat to the Ottomans was rendered at once more acute and more intimate by the Turkish origin of the Safavid family and their extensive support in Turkish Anatolia. It is ironic that in the increasingly angry correspondence between the two monarchs that preceded the outbreak of hostilities, the sultan wrote to the shah in Persian, the language of urban, cultivated gentlemen, while the Shah wrote to the Sultan in Turkish - the language of his rural and tribal origins."
Source: Bernard Lewis. The Middle East. ISBN: 0684832801
"The Azeri Turks are Shiites and were founders of the Safavid dynasty."
Source: Richard N. Frye, Tamara Sonn. A Brief History of Islam, Blackwell Publishing, 2004, p. 83.