Turkey to build first domestic aircraft carrier

Surenas · Dec 3, 2012

Persian styles

The Islamic conquest of Persia in the 7th century led early Islamic architects to borrow and adopt many traditions and ways of the fallen Persian empire. Islamic architecture thus borrows from Persian architecture and can be some what called an extension and further evolution of Persian architecture.

In Persia and Central Asia, the Tahirids, Samanids, Ghaznavids, and Ghurids struggled for power in the 10th century, and art was a vital element of this competition. Great cities were built, such as Nishapur and Ghazni (Afghanistan), and the construction of the Great Mosque of Isfahan (which would continue, in fits and starts, over several centuries) was initiated. Funerary architecture was also cultivated.

Under the Seljuqs the "Iranian plan" of mosque construction appears for the first time. Lodging places called khans, or caravanserai, for travellers and their animals, or caravansarais, generally displayed utilitarian rather than ornamental architecture, with rubble masonry, strong fortifications, and minimal comfort.[17] Seljuq architecture synthesized various styles, both Iranian and Syrian, sometimes rendering precise attributions difficult. Another important architectural trend to arise in the Seljuk era is the development of mausolea including the tomb tower such as the Gunbad-i-qabus (circa 1006-7) (showcasing a Zoroastrian motif) and the domed square, an example of which is the tomb of the Samanids in the city of Bukhara (circa 943).[18]

The Il-Khanate period provided several innovations to dome-building that eventually enabled the Persians to construct much taller structures. These changes later paved the way for Safavid architecture. The pinnacle of Il-Khanate architecture was reached with the construction of the Soltaniyeh Dome (1302–1312) in Zanjan, Iran, which measures 50 m in height and 25 m in diameter, making it the 3rd largest and the tallest masonry dome ever erected.[19] The thin, double-shelled dome was reinforced by arches between the layers.[20] The tomb of Öljeitü in Soltaniyeh is one of the greatest and most impressive monuments in Iran, despite many later depredations.

Iranian architecture and city planning also reached an apogee under the Timurids, in particular with the monuments of Samarkand, marked by extensive use of exterior ceramic tiles and muqarnas vaulting within.

The renaissance in Persian mosque and dome building came during the Safavid dynasty, when Shah Abbas, in 1598 initiated the reconstruction of Isfahan, with the Naqsh-e Jahan Square as the centerpiece of his new capital.[21] The distinct feature of Persian domes, which separates them from those domes created in the Christian world or the Ottoman and Mughal empires, was the colorful tiles, with which they covered the exterior of their domes, as they would on the interior. These domes soon numbered dozens in Isfahan, and the distinct, blue- colored shape would dominate the skyline of the city. Reflecting the light of the sun, these domes appeared like glittering turquoise gem and could be seen from miles away by travelers following the Silk road through Persia. This very distinct style of architecture was inherited to them from the Seljuq dynasty, who for centuries had used it in their mosque building, but it was perfected during the Safavids when they invented the haft- rangi, or seven- colour style of tile burning, a process that enabled them to apply more colours to each tile, creating richer patterns, sweeter to the eye.[22] The colours that the Persians favoured where golden, white and turquoise patterns on a dark- blue background.[23] The extensive inscription bands of calligraphy and arabesque on most of the major buildings where carefully planned and executed by Ali Reza Abbasi, who was appointed head of the royal library and Master calligrapher at the Shah's court in 1598,[24] while Shaykh Bahai oversaw the construction projects. Reaching 53 meters in height, the dome of Masjed-e Shah (Shah Mosque) would become the tallest in the city when it was finished in 1629. It was built as a double- shelled dome, with 14 m spanning between the two layers, and resting on an octagonal dome chamber.[25]

Persian-style mosques are also characterized by their tapered brick pillars, large arcades and arches each supported by several pillars. In South Asia, elements of Hindu architecture were employed, but were later superseded by Persian designs.