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Pakistan’s first Opera singer enthralls audiences

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Saira Peter, born in Pakistan and currently living in London, is the pioneer of Sufi opera music

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Image Credit: PNCA
Saira Peter performing in Islamabd.

Islamabad: Pakistan’s first opera singer, Saira Peter, has introduced the unique genre of Sufi opera, which is a delightful fusion of eastern and western music, traditions, and instruments.

Saira Peter, born in Pakistan and currently living in London, is the pioneer of Sufi opera music.

This new genre of music is her way “introduce the message of peace, love and brotherhood through the poetry of Sufis among people” all over the world, she says.

Opera, recognised as the art form which combines music, singing, drama, poetry and dances, originated in Italy from where it spread to France, Germany and the rest of Europe.

This artform has been largely absent from the South Asian musical landscape, and rarely been experimented in musical scene in Pakistan.

However, the London-based Pakistani singer Saira has transformed this local musical landscape.

She has combined opera music with the teachings of Sufism to share its richness with the rest of the world.

The distinct genre of Sufi opera performed by Peter showcases her training and love for the western classical tradition of music and her love for Sufi poetry.

“Sufi poets such as Bulleh Shah and Shah Abdul Latif Bhittai have woven beautiful messages of peace and love in their poetry and I wanted to bring this tradition to the West in their own musical language,” Saira believes.

Saira said that those who listened to the Sufi poetry in opera highly appreciated it. She said that after Bhittai’s poetry, she would make albums of the poetry of other Sufi poets of Pakistan.

She recently launched her debut album Resplendent, the world’s first Sufi opera album featuring the poetry of Shah Abdul Latif Bhittai. The album includes nine songs including, People ask for riches, Listen to what Latif Says, Resplendent, Gracious One, Those who love the Lord, You are my friend. Her next album would focus on the poetry of other Sufi poets, especially Baba Bulleh Shah, she says.

During her current visit to Pakistan, she mesmerised the Pakistanis music lovers with her powerful voice and spellbinding performance at Pakistan National Council of the Arts (PNCA) in Islamabad and Arts Council of Pakistan in Karachi. Appreciated Saira’s venture of fusion of Opera and Sufi music, Director General of PNCA, Jamal Shah, said her initiatives will diversify the music-scape of Pakistan.

Saira’s multicultural roots allow her to perform a range of genres, ranging from Beethoven to Madam Noor Jahan, who is her source of inspiration.

During her musical performance in Islamabad, she charmingly rendered popular Sufi Punjabi texts and also presented local popular songs. Her rendition of Celine Dion’s My Heart Will Go On, was truly relished by the audience.

A group of local musicians accompanied Saira.

“This form of music is truly unique, combining Western and Eastern traditions and instruments” Dholak player Jeevay Laal was quoted as saying.

Born in Karachi city, Saira has lived in London for the last few years. She polished her skills as an opera singer under the guidance of Paul Knight, who was a student of famous English British classical music composer Benjamin Britten.

“I am proud to have trained under Paul Knight and think of him as my ustaad [mentor],” she says.

Saira is also the director of the Noor Jahan Centre in London, which promotes Pakistani culture and music in United Kingdom.

http://gulfnews.com/news/asia/pakistan/pakistan-s-first-opera-singer-enthralls-audiences-1.2016578
 
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Way too far from Opera, just stretching of few words doesnt make it Opera
 
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Pakistan’s first opera singer takes message of spirituality to western audience


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LONDON: British Pakistani singer and songwriter Saira Peter has said that she created the genre of Sufi Opera to take the universal spiritual message of our Pakistani elders to a global western audience.

During an interview with Geo News, the Sufi Opear singer said that she merged Pakistan’s rich Sufi poetry with western classical music and produced Sufi Opera signing by featuring Asian inflections in her singing.

“When you look at it, the western opera is a powerful expression of western spiritual values. Opera examines the deepest issues of human existence through highly emotional music, so it is ideal for conveying our Sufi values of peace, tolerance and reconciliation. Yet western and Pakistani classical singing are very different in nature. Pakistani classical vocal style permits sliding (portamento or meend), which is completely banned in western classical music. If you slide between notes as a western classical singer. Your audience will think you don’t know how to sing in tune, but if you don’t slide when performing Pakistani classical, you omit all the beauty,” the singer explained at her home in London. She spends her time between London, Pakistan and touring for concerts.

When in London, Saira Peter works at Noor Jehan Arts Centre (NJ Arts London), opened by British legend Sir Cliff Richard OBE in 1998. This centre specialises in giving training to students interested in learning western and Pakistani classical music.

She said: “The aim of NJ Arts is to promote social cohesion through creativity. I also happen to be its Director and NJ Arts is where I train students and organize cultural and educational events. We have done everything from hosting talent events for 10+ local schools at a time, to running the 3-day NJ Arts festival where winners received Noor Jehan awards, to launching Sufi Peace Fest at London City Hall [headquarters of London Mayor] which featured British celebrity artists and British and Pakistani ministers as guests.

I teach both western classical and Pakistani classical singing, depending on what students want. Some prefer pure classical while others are interested in becoming pop singers; some like jazz, but others specifically want ghazal or another Pakistani style.”

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Saira explained that classical training is always the key to learning music because it helps singers develop their stamina. “Once you know classical singing technique, then no matter what the genre is – be it jazz, ghazel, classical, thumri, etc – you will be at ease. Having a science background [Saira holds MSc Physical Chemistry], whenever I teach I draw attention to the fact that physiologically we sing through our body and organs, so it’s important that a singer knows the roles our organs play in producing sound, such as how we use the respiratory system, or how our bones resonate, to name just a few. Our body plays a big role in producing high or low notes, or in singing loudly or softly, or singing something fast or slow.”

The singer said that peace and reconciliation and unconditional love are what the whole world seeks, especially in times like these. “Our great spiritual leaders Shah Abdul Latif Bhittai, Baba Bulleh Shah and many others delivered this message centuries ago, and I am passionate about promoting these values through Sufi Opera. In fact, I am currently working on full-length Sufi Operas [dramatic and musical productions] based on the heroic stories of Mirza Sahiban and Umar Marwi (Shah Abdul Latif Bhittai).”

She recalled how at a recent concert in America the audience loved Sufi kalaam of Pakistani saints.

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“I recently presented Latif’s spiritual message in Urdu “tairay ishq may jo bhi dhoob gaya” for thousands of university students during a US university lecture tour, the whole audience rose to their feet with a shout, and many jumped onstage and danced! There is just so much spirituality in our music, it surpasses language and goes straight to the heart.”

After hearing one of her live performances, the British Government’s Office for Nationality, Marriage in Hastings recently asked her to record the British National Anthem, “God Save the Queen”.

“I was honoured to be the first British-Asian bestowed with this privilege and I happily accepted, creating a special soprano version. It felt strange to discover soon after that my recording is being used for every British Citizenship ceremony in the 700 square mile East Sussex region. I was so privileged to record “God Save the Queen”, as every national anthem is the heart and soul of its nation. Some national anthems express the pain and struggle of their people, some even use four or five different languages, but the British national anthem, like that of Pakistan’s, is a unique prayer for peace and wellbeing. I have had so much encouraging feedback about this recording.”
 
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It ain't over till the fat lady sings.

Interesting, seems now we have got our version of that lady....
 
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If only she could sing a rendition of the Othello scene but with "Mujhe kyun nikala".
 
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