xenon
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Maaf karo .Keep mythology where it belongs.
Mythological Weapons
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Maaf karo .Keep mythology where it belongs.
metro
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yes. its been proven scientifically.
divya
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Vimanas
A vimana is a mythological flying machine, described in the ancient mythology of India. References to these flying machines are commonplace in ancient Indian texts, even describing their use in warfare. As well as being able to fly within Earth's atmosphere, vimanas were also said to be able to travel into space and travel submerged underwater.
Descriptions in the Vedas and later Indian literature detail vimanas of various shapes and sizes:
In the Vedas: the Sun and Indra and several other Vedic deities are transported by flying wheeled chariots pulled by animals, usually horses (but the Vedic god Pusan's chariot is pulled by goats).
The "agnihotra-vimana" with two engines. (Agni means fire in Sanskrit.)
The "gaja-vimana" with more engines. (Gaja means elephant in Sanskrit.)
Other types named after the kingfisher, ibis, and other animals.
The word comes from Sanskrit and seems to be vi-mana = 'apart' or 'having been measured". The word also means a part of a Hindu temple. The meaning of the word likely changed in this sequence:
An area of land measured out and set apart to be used for sacred purposes.
Temple
A god's palace
In the Ramayana: the demon-lord Ravana's flying palace called Pushpaka.
In later Indian writings: other flying vehicles, and sometimes as a poetic word for ordinary ground vehicles.
In some modern Indian languages, the word vimana means ordinary real aircraft.
The Buddhist book Vimanavatthu (Pali for "Vimana Stories") uses the word "vimana" with a different meaning: "a small piece of text used as the inspiration for a Buddhist sermon".
UFO Lore
Some modern UFO enthusiasts have pointed to the Vimana as evidence for advanced technological civilizations in the distant past, or as support for the ancient astronaut theory. Others have linked the flying machines to the legend of the Nine Unknown Men.
Alexander the Great purportedly gave a description of "dozens of silver disk-like objects" entering and leaving the Jaxartes River in 337 BC. Alexander, so the story goes, then became obsessed with the craft and spent many hours in a primitive diving bell searching for them. (Source: History Channel "Unidentified Submarine Objects")
Mythological Descriptions
Sanskrit texts are filled with references to gods who fought battles in the sky using Vimanas equipped with weapons as deadly as any we can deploy in these more enlightened times.
In the Ramayana there is a passage in the Ramayana which reads:
"The Pushpaka chariot that resembles the Sun and belongs to my brother was brought by the powerful Ravana; that aerial and excellent car going everywhere at will .... that car resembling a bright cloud in the sky ... and the King [Rama] got in, and the excellent car at the command of the Raghira, rose up into the higher atmosphere.'"
"Pushpaka" is Sanskrit for "flowery". It is the first flying vimana mentioned in Hindu mythology (as distinct from gods' flying horse-drawn chariots). It is also called Pushpaka Vimana.
The special characteristic of this vehicle is, "What ever may be the number of people sitting in it, always there will be one more seat vacant i.e., If N people sit, There will be (N+1) seats". It was basically a vehicle that could soar the skies for long distances. It shows that even in ancient times, people were curious about flight and might have tried to design flying vehicles.
Pushpaka was originally made by Maya for Kubera, the God of wealth, but was later stolen, along with Lanka, by his half-brother, the demon king Ravana.
The core epic of the Mahabharata mentions no vimanas, but vimanas often occur in the large amount of matter which was added to the Mahabharata corpus later. One example is that the Asura Maya had a Vimana measuring twelve cubits in circumference, with four strong wheels.
The Mahabharata is a veritable gold mine of information relating to conflicts between gods who are said to have settled their differences apparently using weapons as lethal as those we have now. Apart from 'blazing missiles', the poem records the use of other deadly weapons. 'Indra's Dart' (Indravajra) operated via a circular 'reflector'. When switched on, it produced a 'shaft of light' which, when focused on any target, immediately 'consumed it with its power'.
In one exchange, the hero, Krishna, is pursuing his enemy, Salva, in the sky, when Salva's Vimana, the Saubha, is made invisible in some way. Undeterred, Krishna immediately fires off a special weapon: "I quickly laid on an arrow, which killed by seeking out sound". Many other terrible weapons are described, quite matter-of-factly, in the Mahabharata, but the most fearsome of all is the one used against the Vrishis. The narrative records:
"Gurkha flying in his swift and powerful Vimana hurled against the three cities of the Vrishis and Andhakas a single projectile charged with all the power of the Universe. An incandescent column of smoke and fire, as brilliant as ten thousands suns, rose in all its splendour. It was the unknown weapon, the Iron Thunderbolt, a gigantic messenger of death which reduced to ashes the entire race of the Vrishnis and Andhakas."
It is important to note, that these kinds of records are not isolated. They can be cross-correlated with similar reports in other ancient civilizations. The after-affects of this Iron Thunderbolt have an ominously recognizable ring. Apparently, those killed by it were said to be so burnt that their corpses were unidentifiable. The survivors fared little better, as it caused their hair and nails to fall out.
Perhaps the most disturbing and challenging, information about these allegedly mythical Vimanas in the ancient records is that there are some matter-of-fact records, describing how to build one. In their way, the instructions are quite precise.
The Mahabharata also tells of the awesome destructiveness of the war: "... (the weapon was) a single projectile charged with all the power of the Universe. An incandescent column of smoke and flame as bright as the thousand suns rose in all its splendour... An iron thunderbolt, a gigantic messenger of death, which reduced to ashes the entire race of the Vrishnis and the Andhakas.... the corpses were so burned as to be unrecognizable. The hair and nails fell out; pottery broke without apparent cause, and the birds turned white.... after a few hours all foodstuffs were infected.... to escape from this fire, the soldiers threw themselves in streams to wash themselves and their equipment..." Some say that the Mahabharata is describing an atomic war. References like this one are not isolated; but battles, using a fantastic array of weapons and aerial vehicles are common in all the epic Indian books. One even describes a Vimana-Vailix battle on the Moon! The above section very accurately describes what an atomic explosion would look like and the effects of the radioactivity on the population. Jumping into water is the only respite.
In the Sanskrit Samarangana Sutradhara (Literally, "controller of the battlefield"), it is written:
"Strong and durable must the body of the Vimana be made, like a great flying bird of light material. Inside one must put the mercury engine with its iron heating apparatus underneath. By means of the power latent in the mercury which sets the driving whirlwind in motion, a man sitting inside may travel a great distance in the sky. The movements of the Vimana are such that it can vertically ascend, vertically descend, move slanting forwards and backwards. With the help of the machines human beings can fly in the air and heavenly beings can come down to earth."
In Mesopotamian sources -- The Hakatha (Laws of the Babylonians) states quite unambiguously:
"The privilege of operating a flying machine is great. The knowledge of flight is among the most ancient of our inheritances. A gift from 'those from upon high'. We received it from them as a means of saving many lives."
More fantastic still is the information given in the ancient Chaldean work, The Sifrala, which contains over one hundred pages of technical details on building a flying machine. It contains words which translate as graphite rod, copper coils, crystal indicator, vibrating spheres, stable angles, etc.
Archaeological Claims
Some say that when the Rishi City of Mohenjodaro was excavated by archaeologists in the last century, they found skeletons lying in the streets, some of them holding hands, as if some great doom had suddenly overtaken them. These skeletons are among the most radioactive ever found, on a par with those found at Hiroshima and Nagasaki.
Ancient cities whose brick and stonewalls have been vitrified, that is, fused together, can be found in India, Ireland, Scotland, France, Turkey and other places. Some say that there is no logical explanation for the vitrification of stone forts and cities, except from an atomic blast; but others say that vitrified forts arose by an enemy setting fire to a fortification composed of a mixture of big timbers and stones.
Artists perception how the vimana would have looked..
A vimana is a mythological flying machine, described in the ancient mythology of India. References to these flying machines are commonplace in ancient Indian texts, even describing their use in warfare. As well as being able to fly within Earth's atmosphere, vimanas were also said to be able to travel into space and travel submerged underwater.
Descriptions in the Vedas and later Indian literature detail vimanas of various shapes and sizes:
In the Vedas: the Sun and Indra and several other Vedic deities are transported by flying wheeled chariots pulled by animals, usually horses (but the Vedic god Pusan's chariot is pulled by goats).
The "agnihotra-vimana" with two engines. (Agni means fire in Sanskrit.)
The "gaja-vimana" with more engines. (Gaja means elephant in Sanskrit.)
Other types named after the kingfisher, ibis, and other animals.
The word comes from Sanskrit and seems to be vi-mana = 'apart' or 'having been measured". The word also means a part of a Hindu temple. The meaning of the word likely changed in this sequence:
An area of land measured out and set apart to be used for sacred purposes.
Temple
A god's palace
In the Ramayana: the demon-lord Ravana's flying palace called Pushpaka.
In later Indian writings: other flying vehicles, and sometimes as a poetic word for ordinary ground vehicles.
In some modern Indian languages, the word vimana means ordinary real aircraft.
The Buddhist book Vimanavatthu (Pali for "Vimana Stories") uses the word "vimana" with a different meaning: "a small piece of text used as the inspiration for a Buddhist sermon".
UFO Lore
Some modern UFO enthusiasts have pointed to the Vimana as evidence for advanced technological civilizations in the distant past, or as support for the ancient astronaut theory. Others have linked the flying machines to the legend of the Nine Unknown Men.
Alexander the Great purportedly gave a description of "dozens of silver disk-like objects" entering and leaving the Jaxartes River in 337 BC. Alexander, so the story goes, then became obsessed with the craft and spent many hours in a primitive diving bell searching for them. (Source: History Channel "Unidentified Submarine Objects")
Mythological Descriptions
Sanskrit texts are filled with references to gods who fought battles in the sky using Vimanas equipped with weapons as deadly as any we can deploy in these more enlightened times.
In the Ramayana there is a passage in the Ramayana which reads:
"The Pushpaka chariot that resembles the Sun and belongs to my brother was brought by the powerful Ravana; that aerial and excellent car going everywhere at will .... that car resembling a bright cloud in the sky ... and the King [Rama] got in, and the excellent car at the command of the Raghira, rose up into the higher atmosphere.'"
"Pushpaka" is Sanskrit for "flowery". It is the first flying vimana mentioned in Hindu mythology (as distinct from gods' flying horse-drawn chariots). It is also called Pushpaka Vimana.
The special characteristic of this vehicle is, "What ever may be the number of people sitting in it, always there will be one more seat vacant i.e., If N people sit, There will be (N+1) seats". It was basically a vehicle that could soar the skies for long distances. It shows that even in ancient times, people were curious about flight and might have tried to design flying vehicles.
Pushpaka was originally made by Maya for Kubera, the God of wealth, but was later stolen, along with Lanka, by his half-brother, the demon king Ravana.
The core epic of the Mahabharata mentions no vimanas, but vimanas often occur in the large amount of matter which was added to the Mahabharata corpus later. One example is that the Asura Maya had a Vimana measuring twelve cubits in circumference, with four strong wheels.
The Mahabharata is a veritable gold mine of information relating to conflicts between gods who are said to have settled their differences apparently using weapons as lethal as those we have now. Apart from 'blazing missiles', the poem records the use of other deadly weapons. 'Indra's Dart' (Indravajra) operated via a circular 'reflector'. When switched on, it produced a 'shaft of light' which, when focused on any target, immediately 'consumed it with its power'.
In one exchange, the hero, Krishna, is pursuing his enemy, Salva, in the sky, when Salva's Vimana, the Saubha, is made invisible in some way. Undeterred, Krishna immediately fires off a special weapon: "I quickly laid on an arrow, which killed by seeking out sound". Many other terrible weapons are described, quite matter-of-factly, in the Mahabharata, but the most fearsome of all is the one used against the Vrishis. The narrative records:
"Gurkha flying in his swift and powerful Vimana hurled against the three cities of the Vrishis and Andhakas a single projectile charged with all the power of the Universe. An incandescent column of smoke and fire, as brilliant as ten thousands suns, rose in all its splendour. It was the unknown weapon, the Iron Thunderbolt, a gigantic messenger of death which reduced to ashes the entire race of the Vrishnis and Andhakas."
It is important to note, that these kinds of records are not isolated. They can be cross-correlated with similar reports in other ancient civilizations. The after-affects of this Iron Thunderbolt have an ominously recognizable ring. Apparently, those killed by it were said to be so burnt that their corpses were unidentifiable. The survivors fared little better, as it caused their hair and nails to fall out.
Perhaps the most disturbing and challenging, information about these allegedly mythical Vimanas in the ancient records is that there are some matter-of-fact records, describing how to build one. In their way, the instructions are quite precise.
The Mahabharata also tells of the awesome destructiveness of the war: "... (the weapon was) a single projectile charged with all the power of the Universe. An incandescent column of smoke and flame as bright as the thousand suns rose in all its splendour... An iron thunderbolt, a gigantic messenger of death, which reduced to ashes the entire race of the Vrishnis and the Andhakas.... the corpses were so burned as to be unrecognizable. The hair and nails fell out; pottery broke without apparent cause, and the birds turned white.... after a few hours all foodstuffs were infected.... to escape from this fire, the soldiers threw themselves in streams to wash themselves and their equipment..." Some say that the Mahabharata is describing an atomic war. References like this one are not isolated; but battles, using a fantastic array of weapons and aerial vehicles are common in all the epic Indian books. One even describes a Vimana-Vailix battle on the Moon! The above section very accurately describes what an atomic explosion would look like and the effects of the radioactivity on the population. Jumping into water is the only respite.
In the Sanskrit Samarangana Sutradhara (Literally, "controller of the battlefield"), it is written:
"Strong and durable must the body of the Vimana be made, like a great flying bird of light material. Inside one must put the mercury engine with its iron heating apparatus underneath. By means of the power latent in the mercury which sets the driving whirlwind in motion, a man sitting inside may travel a great distance in the sky. The movements of the Vimana are such that it can vertically ascend, vertically descend, move slanting forwards and backwards. With the help of the machines human beings can fly in the air and heavenly beings can come down to earth."
In Mesopotamian sources -- The Hakatha (Laws of the Babylonians) states quite unambiguously:
"The privilege of operating a flying machine is great. The knowledge of flight is among the most ancient of our inheritances. A gift from 'those from upon high'. We received it from them as a means of saving many lives."
More fantastic still is the information given in the ancient Chaldean work, The Sifrala, which contains over one hundred pages of technical details on building a flying machine. It contains words which translate as graphite rod, copper coils, crystal indicator, vibrating spheres, stable angles, etc.
Archaeological Claims
Some say that when the Rishi City of Mohenjodaro was excavated by archaeologists in the last century, they found skeletons lying in the streets, some of them holding hands, as if some great doom had suddenly overtaken them. These skeletons are among the most radioactive ever found, on a par with those found at Hiroshima and Nagasaki.
Ancient cities whose brick and stonewalls have been vitrified, that is, fused together, can be found in India, Ireland, Scotland, France, Turkey and other places. Some say that there is no logical explanation for the vitrification of stone forts and cities, except from an atomic blast; but others say that vitrified forts arose by an enemy setting fire to a fortification composed of a mixture of big timbers and stones.
Artists perception how the vimana would have looked..
Destıny
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Thor's Hammer
In Norse polytheism, Thor (from Old Norse Þórr) is a hammer-wielding god associated with thunder, lightning, storms, oak trees, strength, destruction, fertility, healing, and the protection of mankind. The cognate deity in wider Germanic mythology was known in Old English as Þunor and in Old High German Donar (runic þonar ᚦᛟᚾᚨᚱ
, stemming from a Common Germanic *Þunraz (meaning "thunder").
Ultimately stemming from Proto-Indo-European religion, Thor is a prominently mentioned god throughout the recorded history of the Germanic peoples, from the Roman occupation of regions of Germania, to the tribal expansions of the Migration Period, to his high popularity during the Viking Age, when, in the face of the process of the Christianization of Scandinavia, emblems of his hammer, Mjöllnir, were worn in defiance and Norse pagan personal names containing the name of the god bear witness to his popularity. Into the modern period, Thor continued to be acknowledged in rural folklore throughout Germanic regions. Thor is frequently referenced in place names, the day of the week Thursday ("Thor's day") bears his name, and names stemming from the pagan period containing his own continue to be used today.
In Norse mythology, largely recorded in Iceland from traditional material stemming from Scandinavia, numerous tales and information about Thor is provided. In these sources, Thor bears at least fourteen names, is the husband of the golden-haired goddess Sif, is the lover of the jötunn Járnsaxa, and is described as fierce-eyed, red-haired and red-bearded. With Sif, Thor fathered the goddess (and possible valkyrie) Þrúðr; with Járnsaxa, he fathered Magni; with a mother whose name is not recorded, he fathered Móði, and he is the stepfather of the god Ullr. The same sources list Thor as the son of the god Odin and the personified earth, Fjörgyn, and by way of Odin, Thor has numerous brothers. Thor has two servants, Þjálfi and Röskva, rides in a chariot led by two goats, Tanngrisnir and Tanngnjóstr (that he eats and resurrects), and is ascribed three dwellings (Bilskirnir, Þrúðheimr, and Þrúðvangr). Thor wields the mountain-crushing hammer, Mjöllnir, wears the belt Megingjörð and the iron gloves Járngreipr, and owns the staff Gríðarvölr. Thor's exploits, including his relentless slaughter of his foes and fierce battles with the monstrous serpent Jörmungandr—and their foretold mutual deaths during the events of Ragnarök—are recorded throughout sources for Norse mythology
In Norse polytheism, Thor (from Old Norse Þórr) is a hammer-wielding god associated with thunder, lightning, storms, oak trees, strength, destruction, fertility, healing, and the protection of mankind. The cognate deity in wider Germanic mythology was known in Old English as Þunor and in Old High German Donar (runic þonar ᚦᛟᚾᚨᚱ
, stemming from a Common Germanic *Þunraz (meaning "thunder").Ultimately stemming from Proto-Indo-European religion, Thor is a prominently mentioned god throughout the recorded history of the Germanic peoples, from the Roman occupation of regions of Germania, to the tribal expansions of the Migration Period, to his high popularity during the Viking Age, when, in the face of the process of the Christianization of Scandinavia, emblems of his hammer, Mjöllnir, were worn in defiance and Norse pagan personal names containing the name of the god bear witness to his popularity. Into the modern period, Thor continued to be acknowledged in rural folklore throughout Germanic regions. Thor is frequently referenced in place names, the day of the week Thursday ("Thor's day") bears his name, and names stemming from the pagan period containing his own continue to be used today.
In Norse mythology, largely recorded in Iceland from traditional material stemming from Scandinavia, numerous tales and information about Thor is provided. In these sources, Thor bears at least fourteen names, is the husband of the golden-haired goddess Sif, is the lover of the jötunn Járnsaxa, and is described as fierce-eyed, red-haired and red-bearded. With Sif, Thor fathered the goddess (and possible valkyrie) Þrúðr; with Járnsaxa, he fathered Magni; with a mother whose name is not recorded, he fathered Móði, and he is the stepfather of the god Ullr. The same sources list Thor as the son of the god Odin and the personified earth, Fjörgyn, and by way of Odin, Thor has numerous brothers. Thor has two servants, Þjálfi and Röskva, rides in a chariot led by two goats, Tanngrisnir and Tanngnjóstr (that he eats and resurrects), and is ascribed three dwellings (Bilskirnir, Þrúðheimr, and Þrúðvangr). Thor wields the mountain-crushing hammer, Mjöllnir, wears the belt Megingjörð and the iron gloves Járngreipr, and owns the staff Gríðarvölr. Thor's exploits, including his relentless slaughter of his foes and fierce battles with the monstrous serpent Jörmungandr—and their foretold mutual deaths during the events of Ragnarök—are recorded throughout sources for Norse mythology
divya
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Nopes it has been proven the presence of radioactivity but still they are searching for the reasons.....
A heavy layer of radioactive ash in Rajasthan, India, covers a three-square mile area, ten miles west of Jodhpur. Scientists are investigating the site, where a housing development was being built.
For some time it has been established that there is a very high rate of birth defects and cancer in the area under construction. The levels of radiation there have registered so high on investigators' gauges that the Indian government has now cordoned off the region. Scientists have unearthed an ancient city where evidence shows an atomic blast dating back thousands of years, from 8,000 to 12,000 years, destroyed most of the buildings and probably a half-million people. One researcher estimates that the nuclear bomb used was about the size of the ones dropped on Japan in 1945.
The Mahabharata clearly describes a catastrophic blast that rocked the continent. "A single projectile charged with all the power in the Universe...An incandescent column of smoke and flame as bright as 10,000 suns, rose in all its splendor...it was an unknown weapon, an iron thunderbolt, a gigantic messenger of death which reduced to ashes an entire race.
"The corpses were so burned as to be unrecognizable. Their hair and nails fell out, pottery broke without any apparent cause, and the birds turned white.
"After a few hours, all foodstuffs were infected. To escape from this fire, the soldiers threw themselves into the river."
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Paan Singh
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Divyastra is more dangerous,it changes its pic on daily bases.
divya
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Paan Singh
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And it can kill also
but this divyastra is not dangerous looking,although buty of this astra may kill anybody
divya
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but this divyastra is not dangerous looking,although buty of this astra may kill anybody
Primary objective complete
Paan Singh
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divya
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Sudarshana Chakra
The Sudarshana Chakra (Sanskrit: सुदर्शन चक्र
is a pirouetting, disk-like super weapon with 108 serrated edges of Hindu God Vishnu. The Sudarshan Chakra is portrayed on right rear hand of the four hands of Vishnu, who also hold a Shankha (a conch shell) on right fore hand, a Gada (mace) on left rear hand, and a Padma (lotus) on left fore hand.According to the Puranas, the use of Sudarshan Chakra is called for ultimate destruction of the enemy. The depiction of Sudarshan Chakra with Vishnu also means that Vishnu is the keeper-owner of the celestial bodies and heavens.
Within scripture
The use Sudarshana Chakra is occasionally mentioned in Hindu texts of Rigveda, Yajurveda and Puranas, as an ultimate weapon to eliminate the enemy of law, order and preservation. Such enemies are enumerated variously as rakshasas, asura, and vikrutatma. In one such instance, as scribed in the stanzas of the Mahabharat, Lord Shri Krishna, the avatar of Lord Vishnu, beheads Shishupala with the use of the Sudarshan Chakra, for his rapacious behaviour (committing 100 mistakes each worthy of death) at the Rajsuya yagna celebration of Emperor Yudhishthira. It was also used to cut mandrachal parvat for samudra manthan.
[edit]Origin of Sudarshana Chakra
According to one version, the Sudarshana chakra was made by the architect of gods, Vishvakarma.
Viswakarma's daughter Sanjana was married to Surya, the Sun God. Due to the Sun's blazing light and heat, she was unable to go near the Sun. She complained to her father about this. Viswakarma took the Sun and made him shine less so that his daughter would be able to hug the Sun. The left over Sun "dust" was collected by Viswakarma and he made three things out of it. The first one was the famous aerial vehicle Pushpaka Vimana, the second being the Trishula (Trident) of Lord Shiva, and the third was the Sudarshana Chakra of Lord Vishnu.
The chakra comprises 10 million spikes in two rows. One row of spikes moving in the opposite direction to give it a serrated edge.
It was also used to cut the Goddess Sati , consort of Lord Shiva into 51 pieces after she gave up her life in humiliation. It is said that Shiva, in grief, carried around her lifeless body and was inconsolable. The 51 parts of the Goddess' body were then tossed about in different parts of Bharatvarsha and came to be known as Shakti Peeths.
[edit]Presented to Krishna by Agni
Agni-deva (Fire God) had been suffering from a severe stomach ailment. As a remedy, Lord Brahma advised him to consume the herb-rich Khandava forest. However, Takshaka the Serpent-king and a close friend of Lord Indra , was residing there. Whenever Agni tried to consume the forest, Lord Indra’s thundershowers quickly extinguished the fire.
Once, Krishna and Arjuna arrived at this place. Appearing as a Brahmana, Agni-deva sought their help and they agreed.To fight Indra and His divine army , Agni-deva presented the divine weapon *Sudarshana Chakra* to Krishna and Gandheevam to Arjuna .
[edit]Other Names
In the Tamil Language, the Sudarshana Chakra is also known as 'Chakkrath Azhwar' (translated as Ring/Circlet of God).
The Chakri Dynasty, the current ruling house of Thailand is named after the weapon.
divya
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Bhramadanda The Deadliest of all weapons
Bhramadanda which shares its name with the stick used by the sages was the stick used by bhrama. As a defensive weapon it had the power to stop all other weapons but when used on offensive purpose it would destroy the entire universe. There are no evidences of its usage in any of the scriptures though Drona in Mahabharata had knowledge to use it but he never used it.
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hey nice work divya.
try and add something about kavach kundal of KARNA.
try and add something about kavach kundal of KARNA.
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