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Gilgit Baltistan-Culture Thread

More than 5. local languages are Burushaski, Shina, Khowar, Waki, Balti, Urdu is also spoken, along with English, Pasto and etc, etc. Local languages have different branches, more than 1. I can speak, Shina and Khowar, somewhat understand Burushaski...
I stayed in Gilgit for a couple of weeks a few months before the Earthquake in Oct. 2005.
From Gilgit city I went to Naltar valley with friends on a hired jeep and and we hiked to Naltar Lakes, on our way to Naltar some chinese were working on a project there, it was awe-inspiring trip. We ate a lot of trout fish.

On return we went to Astore and then Rama, stayed in ptdc motel there and hiked towards Nanga parbat. Our driver spoke Shina and he sung a song in Shina and told us some stories of supernatural beings...I don't know if things have changed drastically but I felt as if I belonged there..on your way from Astor, we survived a landslide :)

Really great memories...:)
 
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The energy-efficient multipurpose design of traditional houses in Gilgit-Baltistan

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The mountainous region of Gilgit Baltistan is incredibly rich in diverse cultural heritage. This cultural heritage of the region manifests itself in its traditions, music, handicrafts, architecture, and the famous free style polo of the region. Because of diverse ethnic backgrounds there is cultural diversity among different region but over all the cultural heritage of Gilgit Baltistan is unique, natural and simple. The traditional house (ha, door, khoun or go’at) is a very important symbol of this cultural heritage. For some one with an untrained eye, the traditional house is just a very basic structure. On the other hand if someone critically analyzes the design keeping in view the climatic conditions, local traditions and limited recourses in past, this simple structure is reflection of thousands years of wisdom.

Traditional House of Gojal, Hunza, Nager, Gilgit and Ghizer

The history of Traditional Home( Khoun, Ha, Go’at, Door) is believed to be around two thousand years old .

According to history the traditional house was designed around 2000 years back in the era of Legendary Aryan king Jamshid. In order to protect his people from extreme cold conditions architects of king Jamshid designed a simple, earthquake proof, multipurpose self-contained and self-sustained house. Even after thousands of years this design is still functional and very useful. Similar houses are still found in the pamir region and parts of Tajikistan and Badakhshan and other parts of central Asia. No modern architecture design can replace the traditional home of Gilgit Baltistan to full fill the local needs and traditions. There are slight differences in the design in different regions but the basic concept and structure is same.

The Walls and outside



The out side is very simple. The walls of old house are built with stone and mud. The walls are very wide and thick as compared to the modern houses. The wide walls provide good insulation both against hot and cold. Usually there is a small courtyard outside the house. A veranda covers the front side of the house. In old houses there are no windows on the outer wall, instead there is a beautifully designed square skylight called (sagam, som,sum, komal, eyechan)in different regional langauges . This opening acts as a window for light and air, and exhaust for the smoke. Because the opening lies horizontally and there is layer of warm air below the opening, cold air hardly reaches inside the house. The warm air from inside pushes the cold air up and out. This design is very much according to the rules of physics, as we know warm air is lighter and tends to move upwards. This design is extremely energy efficient.

In some old traditional houses once you enter the main door there is a small lobby, used for sitting, eating or sleeping in summer. This small lobby is called Dahlanz. From dahlanz a door leads to the main room.

Entrance



The main entrance door has a symbolic importance. The house itself is the symbol of universe. A door is the entry to the house as well exit from the house. The door separates two distinct areas, inside the door there is safety, security and blessing. Out side the door there is open world, opportunities, dangers and risks. When a new member of the family (a bride or a new baby) enters the door he/she is welcomed with prayers for good luck, good health and blessings. Similarly when a family member goes on a journey or goes out to start something new he /she goes out through the door with the prayers of his parents for his safety and success. In the ancient houses the traditional lock ( Naghli, Sarikuch, chayeish) was made of a wooden bar, which could lock the door both from inside and out side.

The doors of traditional houses are relatively shorter to preserve heat. Woodcarving is found on the doors of the old houses.




Pillars
The structure of traditional house basically stands on four main wooden pillars plus one to three additional small pillars. These pillars are made of juniper, apricot, walnut or other locally available wood. These pillars are often covered by geometric patterned woodcarvings. The traditional geometric designs on these pillars are inherited over centuries. Because of its unique wooden frame the house is earthquake resistant. If even the walls were peeled outward during an earth quack the frame would remain standing, protecting the main structure.

Roof



The roof is made of several groups of wooden beams of different sizes. Each group has their specific sizes and specific names and number. The two longest beams (laid over the two main pillars on each side are called sanjeer in some areas. Three to four thick but short beams ( patari)are laid diagonally on the main long beams. The skylight or the open space in center of the roof is designed with four square layers of small beams laid one above other. The squares are diagonally placed and the size of squares gradually decreases as it rises up towards the final opening. The opening is located exactly above the fireplace. Because of this shape of the roof snow does not stay longer on the rooftop and there is less chances of leakage during rainy season.

Floor



Every single area inside the main room has a specific name. If you name a specific part of the house, a local will know exactly what are you referring to. There are slight variations in the design in different regions but overall it is more or less similar.

The floor is divided into different parts, There are raised platforms of different heights. Every platform has different purpose and use. The first part immediately after entrance is the (Haqai, yourch, shom ). It is used for keeping shoes and preparing fire wood and dancing during traditional ceremonies like weddings. In most of incient houses, a wood beam, called, sanj separate the working area from the sitting area. The next is the sitting area. In the center there is fire place ( dildang, Daang, sagam ) . Fireplace is used for cooking and keeping the room warm. Sitting area on right side is called band. The sittiing area is a square area around the fire place. The Males members sit on the right side. Sitting arrangement is in specific order. The guest, elderly or religious leaders people get the priority to sit. These most respected people sits fist than the young one sit and than the children sit. Female sit on the left. Similar hierarchy rule is also followed on the female side of the sitting area. Two elevated platforms on right and left (Sheeti, mun, nukh ,raj thali) were used for relaxing or sleeping during winter. There is narrow platform for with wooden cabinets for pots and pans. Two half height walls or wooden cabinets separates the right and left elevated platform. These walls are called Chardagez or Mandal . The floor is usually made of wood or mud. Floors are covered with thick locally made carpets. Concrete floor does not suite the climatic conditions and local life style. It cannot maintain the warm temperature and can cause joint pain in cold climate.

Storage room (Ulha, Gonj ,Gonji , Ghanz )

A smaller store room is usually attached to the main traditional home. The basic structure as more or less same like the main room but it is usually less sophisticated. The main purpose of this is to store grain, fruits and other food items, but during wedding and other ceremonies it was used for sitting and cooking also. This room also has four pillars and the structure of the roof is similar to the main room. There is area for fireplace in the center.

The main room and storage room are the basic requirements of the traditional home. Additional rooms are added according to the requirement and socioeconomic conditions.
Traditional houses in Baltistan

The old houses in various mountainous regions of Baltistan are designed according to local requirements and traditions.. There is Tibetan and Kashmiri influence in the architecture of this region. Old houses in mountainous villages of Baltistan are built in two levels. The lower level is for storage or animal pen. The living area is built in the upper level comprises of large kitchen, bed room, living room etc. The numbers of rooms depends on various factors, like socioeconomic factor, number of family members etc. Wood, stone and mud are used to build these houses. Large wood columns and beams are used to make the house earthquake proof. Kashmiri style wood carving is found in these old traditional houses.

In summary the design of traditional houses is very efficient and multipurpose to fulfill the traditional and climatic requirements of the area. This tradition has been passed to us over centuries. Now it is the duty of this generation not completely abandon this tradition. These designs can be innovated and updated according to need of modern time.

Oh bro, I love these threads.
 
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Embroidered Bridal Gifts from Gilgit-Baltistan

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Zaib R Mir

History of sewing is very old. People of stone age started to sew leather dresses with thread made of animal nerve fibers, catgut and arteries and veins. As the time passed sewing has evolved as an art. Embroidery reflects historical linkage and cultural heritage of a society.

Embroidery and decorative needle and thread art has been running in the blood of Gilgit Baltistan women for centuries. A mother trains her daughter about the traditions and culture. Learning sewing and embroidery is one of essential part of this training. Unique motifs and geometric design of embroidery are distinctive features of the needle and thread art of the mountainous region of Gilgit Baltistan and chitral. The embroidery of this mountainous region is mainly based on cross-stitch and Qalami style. There is not enough historical and archeological evidence to trace the exact origin of the embroidery of Gilgit Baltistan. According to some historian cross stitch was originated in ancient china during T’ang dynasty between 7th and 9th century. The type of counted cross stitch embroidery was present in rural china till 20th century.

The embroidery design and motifs has an influence old embroidery from central asia, Iran turkey and countries from present eastern Europe. Geometric pattern of cross stitch embroidery from Ukraine and Serbia is still has some similarities to the motifs of Gilgit Baltistan and Chitral. There is slight regional variations in designs and color combination in different area of Gilgit Baltistan. Embroidery is an important part of bridal dress in the region. Wedding dress of the bride consists of various embroidered items. Over time many items have gradually disappeared and many new objects have been added to the traditional items.

Traditional cap
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Traditional cap is one of the essential items in traditional bridal dress of Gilgit Baltistan. Colourful cap of a bride is most eye catching and elegant. The most common cap worn by a bride is finely embroidered iraghi cap.It take around 2-3 months to prepare a fine iraghi cap. Traditionally bright color embroidery is used on iraghi cap. Beautiful geometrical motifs are embroidered on these caps. In olden days iraghi cap was used mostly by brides of high economic status . Those who could not afford iraghi cap, simple plain cap were part of bridal dress. The piece of silver jewelry attached in front of the cap makes it more beautiful. Embroidered .

Traditional bridal headband or surband and veil
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In the old days surband and veil was an essential part of the bridal dress. The word surband is derived from the Persian word serband (headband) It is a finely embroidered head band which is wrapped around brides head and is attached to wedding veil. The head band is embroidered on a cotton cloth with silk thread. Embroidered tassels with a colorful strings is attached to both ends of the head band. The tradition of using embroidered headband was also part of traditional or folk dress in central Asia, Turkey, Ukraine and Serbia. The veil is knitted using crochet. The veil is attached to the surband or headband and it covers the face. The traditional beautiful surband and veil are gradually disappearing.

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An embroidered hand made purse use to be part of traditional bridal dress and dowry items. In modern time embroidered ladies wallet has been added to this. Purse and wallets of contemporary designs are easily available in local handicrafts shop. It is good to see innovation in the designs of these valuable traditional items. The embroidery on the purse and wallet are consist of classical geometric style motifs.

Cuff and collar or Girvan bazuri

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Finely embroidered ribbon and lace is on cuffs, collars, neck, and trousers give a beautiful look to the bridal dress. Embroidery is done with silk thread on cotton cloth, which is later attached to the bride’s dress. Bright colors are used for embroidery and usually it is attached to white color dress. This makes the bride dress very elegant and eye catching.

Cupp, (folds)

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Cuff or in local language cup (fold) is another embroidered band which is buttoned or attached to the trousers above the ankle. As you see in the picture this use to be a very fine embroidered item. It takes almost a month to embody a single cup. In recent times girls prefer to attach narrow laces and ribbon instead of cupp. Because of time consumed and high price and value this valuable item is also disappearing.

Traditional cup (attached above ankles )
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Embroidered coat or jacket
Embroidered coat or jacket is an extremely valuable item. The time and energy spent to make this embroidered coat is enormous. Beautiful geometric motifs are embroidered on this eye elegant coat.
 
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Shoes
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This is another contemporary trend. Shoe covers are embroidered with beautiful design.

Khaltia or sumadani
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Khaltia or sumadai is a small purse, which was used to keep surma or eye kohl for bride in the past. This was attached in front of brides shirt with a small piece of silver or any other jewel called chahma. With the availability of modern make up boxes this beautiful piece of art is also disappearing.

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Socks and gloves


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Beautiful hand knitted gloves and socks were essential part of bridal dress. The use of home made gloves and socks is gradually also reducing.

Bedroom set
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Beautiful bedshhets, pillow covers, frames are relatively new trends. Now these are the most widley used gifts for brides. Cross stich and Qalami bed room sets are easily available . The artisan prefer to embroider thses item because of high demand and relatively better financial benefit. Family members and relatives gift these items to the bride.

Drawing room sets
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Beautiful designs of cushions, table covers and sofa covers are also new trend. Beautiful design and lighter color combination are very popular.

In summery Gilgit Baltistan has a very rich cultural history. Unfortunately some of our Decorative needle and thread art is becoming extinct. It is the need of the time to preserve this cultural heritage and transfer it to our future generations, otherwise we will loose our identity slowly and gradually.

Zaib R Mir is a needle and thread artist and Artisan from Gilgit Baltistan who presently lives in Muscat Oman. She works to promote and preserve the cultural heritage of Gilgit Baltistan, For details please visit zaibs art and craft facebook.com. )

http://pamirtimes.net/2016/09/10/embroidered-bridal-gifts-from-gilgit-baltistan/

@Arsalan ,@anant_s ,@krash ,@Moonlight ,@Zibago ,@django ,@Levina ,@Kambojaric ,@saiyan0321 ,@Mr.Meap ,@shimshali ,@waz .....
 
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Beautiful and so colourful. The gilgit culture truly is amazing and so artistic.

@WAJsal I would also Implore you to make a gilgit culture thread which is a sticky and put all the information about gilgit culture over there so that all of us can not only learn from it but also benefit from the knowledge of knowing the culture of our multicultural nation.

In Punjab university law college, the gilgit students at the farewell/welcome party hold a raks or a dance for the department. This year I met one of the gilgit students who was a senior and asked him what they will do. He said the dance. I told him that you do this every year. Why not do something different like display your culture. Explain about the food, the clothing, the economy, the way of life, the heritage, the hats. I know nothing about your culture apart from the food I ate at lahore food expo at hyper star ( FYI I loved it). He liked the idea but it was a day before the event so didn't happen.

So this is why I want you to teach us non gilgitis about your culture, your heritage, your history and everything there is to know about it. Pakistan is a multicultural country. We all must learn about each others cultures and ways so that not only can we grow to truly respect them but also learn from them.

Great share man. Out of the world!
 
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@WAJsal I would also Implore you to make a gilgit culture thread which is a sticky and put all the information about gilgit culture over there so that all of us can not only learn from it but also benefit from the knowledge of knowing the culture of our multicultural nation.
Bro, you should make a Gilgit culture stick thread.
Great Idea...I'll do it this weekend.
 
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The roof is made of several groups of wooden beams of different sizes. Each group has their specific sizes and specific names and number. The two longest beams (laid over the two main pillars on each side are called sanjeer in some areas. Three to four thick but short beams ( patari)are laid diagonally on the main long beams. The skylight or the open space in center of the roof is designed with four square layers of small beams laid one above other. The squares are diagonally placed and the size of squares gradually decreases as it rises up towards the final opening. The opening is located exactly above the fireplace. Because of this shape of the roof snow does not stay longer on the rooftop and there is less chances of leakage during rainy season.
Thats beautiful roof. :tup:
As far as i know in mountaineous areas the height of houses is restricted to avoid damages caused by natural calamities. The diagonally placed beams help in bracing up the roof well in place, the manner in which it is placed prevents very high roof pitch. I like the logic behind it. A tiny opening created in such a way that the load of the roof is uniformly distributed to the walls. Wood being a bad conductor helps prevent loss of heat
Air circulation is better when you have an atrium in the centre, it works well for hot and dry climate too albeit the difference is in its size. Placing too many columns near such openings prevents circular and turbulent winds.

In India we have bigger atriums or courtyards due to our climate, i have seen them not just in south India but also in northern India, specially rajasthan. This is havelli in Rajasthan>>>

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The floor is divided into different parts, There are raised platforms of different heights. Every platform has different purpose and use.
There's another purpose to having such platforms at different heights within the house and that is, distribution of load to foundation, im assuming it works as a shock-absorber when there's an earthquake.
The traditional geometric designs on these pillars are inherited over centuries. Because of its unique wooden frame the house is earthquake resistant. If even the walls were peeled outward during an earth quack the frame would remain standing, protecting the main structure.
Thats so true.
During earthquakes, ppl are asked to take position near columns (pillars) because they dont fall down easily.
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You see that?
The columns are almost intact. This is true for not just concrete and steel but also the woods. The beautiful carvings are nothing but a way to divert one's attention from the number of columns provided inside the house.


The main room and storage room are the basic requirements of the traditional home.
Yes. It makes sense to have storage rooms when you have joint families.
In summary the design of traditional houses is very efficient and multipurpose to fulfill the traditional and climatic requirements of the area. This tradition has been passed to us over centuries. Now it is the duty of this generation not completely abandon this tradition. These designs can be innovated and updated according to need of modern time.
I agree.
Earlier ppl survived in the hottest and coldest of climate without ACs and heaters. I love doing analysis of traditional houses. My tharvadu (or ancestral home,paternal) is one such structure that im in love with.
Thanks @WAJsal for the tag.I love such threads. :)
I just have one request though, i want one elevation(front/side view) picture of a house in GB.
Let me see if its similar to the ones found in Himachal and Ladakh region of India.

****
Btw i have been trying to reply to this thread since last 2 days, but whenever i typed in the reply bar, the content was not getting saved. The usual "save draft" wasnt working. So i had to retype everything today. :(
@WebMaster
 
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People of stone age started to sew leather dresses with thread made of animal nerve fibers, catgut and arteries and veins.
yuckkkkkk...
But then,it just proves that our ancestors were very smart to have known sewing.
Embroidered coat or jacket
Embroidered coat or jacket is an extremely valuable item. The time and energy spent to make this embroidered coat is enormous. Beautiful geometric motifs are embroidered on this eye elegant coat.
Beautifully done. :tup:
It takes so much of patience to get the embroidery done so neatly. We must encourage such ppl by buying their stuff.
In India, one of our ministers(a lady called Smriti Irani) began a trend on twitter to save handlooms, a specialty of India which attarcted a lot of foreigners/traders to India even in ancient times. (just one of the reasons why ppl got attracted to India :P).

Btw did you notice how most of the clothes have a dark base colour? Dark/black in most cases helps in absorbing heat, ideal for ppl who live in cold regions. The patterns on the clothes reminds me of Kashmiri pherans, they are equally colourful with dark backgrounds. But the designs are more floral (atleast for ladies) and not geometrical like the ones in your pics.
Bhai show us some of your personal collections, after all you are a GBian (i hope i got that right :) ).

When in school,we used to have an art and craft exhibition once in a year,where such stuff used to be exhibited.
 
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