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Coronavirus weakens China’s powerful propaganda machine
>> Li Yuan, The New York Times
https://www.nytimes.com/2020/02/26/business/china-coronavirus-propaganda.html
Beijing is tapping its old propaganda playbook as it battles the relentless coronavirus outbreak, the biggest challenge to its legitimacy in decades. State media is filling smartphones and airwaves with images and tales of unity and sacrifice aimed at uniting the people behind Beijing’s rule. It even briefly offered up cartoon mascots named Jiangshan Jiao and Hongqi Man, characters meant to stir patriotic feelings among the young during the crisis.
The problem for China’s leaders: This time, it isn’t working so well.
Online, people are openly criticising state media. They have harshly condemned stories of individual sacrifice when front-line medical personnel still lack basic supplies like masks. They shouted down Jiangshan Jiao and Hongqi Man. They have heaped scorn on images of the women with shaved heads, asking whether the women were pressured to do it and wondering why similar images of men weren’t appearing.
One critical blog post was titled “News Coverage Should Stop Turning a Funeral Into a Wedding.”
Daisy Zhao, 23, a Beijing resident, said she once trusted the official media. Now she fumes over the reports that labelled eight medical workers who tried to warn about the coronavirus threat as rumourmongers. Images and videos of their public reprimand have been widely shared online.
“The official media,” Zhao said, “has lost a lot of credibility.”
China’s propaganda machine, an increasingly sophisticated operation that has helped the Communist Party stay in power for decades, is facing one of its biggest challenges.
The government was slow to disclose the threat of the coronavirus and worked to suppress the voices of those who tried to warn the country. In doing so, it undermined its implicit deal with its people, in which they trade away their individual rights for the promise of security.
To tame public outrage, Beijing is determined to create a “good public opinion environment.” It has sent hundreds of state-sponsored journalists to Wuhan and elsewhere to churn out heart-tugging stories about the front-line doctors and nurses and the selfless support from the Chinese public.
China’s propaganda spinners have some tough competition. Chinese people have seen images of a young woman crying “Mom! Mom!” as her mother’s body was driven away. They have seen a woman banging a homemade gong from her balcony while begging for a hospital bed. They have seen an exhausted nurse breaking down and howling.
And they have all seen the face of Li Wenliang, the doctor who tried to warn China about the very virus that killed him.
The crisis has exposed many people, especially the young, to troubling aspects of life under an authoritarian government. In the silencing of people like Li, they see the danger in clamping down on free expression. In the heart-wrenching online pleas for help from patients and hospitals, they see past the facade of an omnipotent government that can get anything done.
Beijing is doing everything it can to take back the narrative. State media is offering steady coverage of people who leave donations at government offices then dash before anyone can give them credit. One compilation of “dropped cash donations and ran away” headlines tallied 41 of them.
Other stories feature medics who join the front lines after “Mom just passed away” or the person “just had a newborn.” Beat by beat, the stories sound the same.
A makeshift memorial to Dr Li Wenliang, who tried to warn China about the coronavirus before it killed him, in Hong Kong on Feb 7, 2020. The New York Times
Some are blatantly unbelievable. One newspaper in the city of Xi’an apologised after it posted an article claiming that a nurse’s newborn twins asked their father where their mother was, saying it was an editing mistake. Another newspaper wrote that after a nurse went to the front line, her husband, who had been in a vegetative state since 2014, would smile whenever her name was mentioned “as if he knew that his wife was engaged in a great endeavour.” That story was later deleted.
In China, admiration of the front-line medical workers is widespread and sincere. But the state media’s coverage does not show the reality that many of those workers lack protective gear. Over 3,000 of them have been infected.
“Their sacrifices should be remembered,” wrote a user on Weibo, one of China’s most popular social media sites. “We should make sure that the tragedies won’t happen again, not highlighting ‘Sacrifice is glorious.’”
Deng Xueping, a lawyer who wrote the “Funeral Into a Wedding” blog post, cited a story about a patient discharged from a makeshift hospital in Wuhan, at the centre of the outbreak. She liked the hospital so much, the story said, that she was reluctant to leave.
“When many patients in Wuhan were struggling to get treatment, our TV camera chose to turn to one happy outpatient,” Deng wrote. “By magnifying one individual’s happiness while hiding the sufferings of most people there, it’s hard to say such coverage was truthful about the epidemic.”
People are also angry about state media accounts of female medical workers who shave their heads. In one viral video, more than a dozen female hospital workers in northwestern Gansu province on their way to Hubei province, the centre of the outbreak, had their heads shaved. Some cried.
That raised questions online about whether the women had been pressured into shaving their heads and why men were not doing the same. The hospital in Gansu province responded that the women had done it voluntarily.
The biggest setback for the party’s propaganda machine came last week when the Communist Youth League unveiled Jiangshan Jiao and Hongqi Man, sibling mascots in traditional Chinese dress. Their names — “jiangshan” for the Chinese nation and “hongqi” for the party’s red flag — are derived from a poem by former Communist Chairman Mao Zedong.
“Come on, cheer on the Youth League’s idols,” the league urged on social media.
People did not cheer. The league deleted the posts hours later as critics accused the party institution of trying to turn the relationship between the country and its citizens into one between entertainment idols and their fans. One comment — “I’m your citizen, not your fan” — got over 50,000 likes.
The backlash may suggest new attitudes among the young generation toward the state.
“In the past month, many young people have been reading a lot of firsthand information and in-depth media reports about the epidemic on the internet,” said Stephanie Xia, 26, who lives in Shanghai. They were angry and confused by what they learned, she said.
“There’s some gap between what the young people are really like and what the government believes what they’re like,” Xia added.
Despite the growing scepticism, the party state has widespread popular support. While older people who rely on state media make up the bulk, the party still counts on the backing of apolitical young people like Lu Yingxin.
Lu said she was touched by the reports about the sacrifices of the front-line health workers and ordinary people donating money to Wuhan. She was sad about the passing of Li and was not happy that the police accused him of spreading rumours.
Still, she is not disappointed with the government. It has a full plate to deal with, she reasons.
“Even if I say that I don’t trust the government, what could I do?” Lu said. “It seems there’s nothing I can do.”
There is no scientific way to gauge public sentiment in China. But hers is probably a widely shared attitude and one that the Chinese government wants to nurture.
To get there, Beijing has intensified internet censorship in the past few weeks. Social media accounts have been deleted or suspended. Starting Saturday, online platforms will be subject to new regulations that could ensure even tighter limits.
Some of the older generation are worried that the epidemic will be forgotten just like many other tragedies in China.
“If we can’t become a whistleblower like Li Wenliang, then let’s be a person who can hear the whistle blowing,” Yan Lianke, a novelist, said in a lecture at Hong Kong University of Science and Technology in February.
“If we can’t speak out loud, then let’s become a whisperer,” Yan said. “If we can’t be a whisperer, then let’s become a silent person who remembers and keeps memories … let’s become a person with graves in our heart.”
In an effort to build a collective memory, thousands of young people are building digital archives of online posts, videos and media stories about the epidemic that have been or are likely to deleted and posting them on the internet outside the country.
Some young people already have the “graves in their hearts” that Yan references and want to ensure younger people have them, too.
Zhao, the Beijing resident, said that after witnessing the polarising online discourses during the outbreak, she had decided to pursue a career in education.
“Care about the world. Care about the people in it,” she said in a Weibo post.
Xia, whose Weibo account has been suspended for 30 days for her epidemic-related posts, said she was determined to keep speaking up no matter how tight the censorship would become so that the next generation would remember.
“Speak up as much as your courage allows,” she said. “In the end, it’s better than saying nothing.”
© 2020 New York Times News Service
>> Li Yuan, The New York Times
https://www.nytimes.com/2020/02/26/business/china-coronavirus-propaganda.html
-
Beijing is tapping its old propaganda playbook as it battles the relentless coronavirus outbreak, the biggest challenge to its legitimacy in decades. The problem for China’s leaders: This time, it isn’t working so well. The New York Times
Beijing is tapping its old propaganda playbook as it battles the relentless coronavirus outbreak, the biggest challenge to its legitimacy in decades. State media is filling smartphones and airwaves with images and tales of unity and sacrifice aimed at uniting the people behind Beijing’s rule. It even briefly offered up cartoon mascots named Jiangshan Jiao and Hongqi Man, characters meant to stir patriotic feelings among the young during the crisis.
The problem for China’s leaders: This time, it isn’t working so well.
Online, people are openly criticising state media. They have harshly condemned stories of individual sacrifice when front-line medical personnel still lack basic supplies like masks. They shouted down Jiangshan Jiao and Hongqi Man. They have heaped scorn on images of the women with shaved heads, asking whether the women were pressured to do it and wondering why similar images of men weren’t appearing.
One critical blog post was titled “News Coverage Should Stop Turning a Funeral Into a Wedding.”
Daisy Zhao, 23, a Beijing resident, said she once trusted the official media. Now she fumes over the reports that labelled eight medical workers who tried to warn about the coronavirus threat as rumourmongers. Images and videos of their public reprimand have been widely shared online.
“The official media,” Zhao said, “has lost a lot of credibility.”
China’s propaganda machine, an increasingly sophisticated operation that has helped the Communist Party stay in power for decades, is facing one of its biggest challenges.
The government was slow to disclose the threat of the coronavirus and worked to suppress the voices of those who tried to warn the country. In doing so, it undermined its implicit deal with its people, in which they trade away their individual rights for the promise of security.
To tame public outrage, Beijing is determined to create a “good public opinion environment.” It has sent hundreds of state-sponsored journalists to Wuhan and elsewhere to churn out heart-tugging stories about the front-line doctors and nurses and the selfless support from the Chinese public.
China’s propaganda spinners have some tough competition. Chinese people have seen images of a young woman crying “Mom! Mom!” as her mother’s body was driven away. They have seen a woman banging a homemade gong from her balcony while begging for a hospital bed. They have seen an exhausted nurse breaking down and howling.
And they have all seen the face of Li Wenliang, the doctor who tried to warn China about the very virus that killed him.
The crisis has exposed many people, especially the young, to troubling aspects of life under an authoritarian government. In the silencing of people like Li, they see the danger in clamping down on free expression. In the heart-wrenching online pleas for help from patients and hospitals, they see past the facade of an omnipotent government that can get anything done.
Beijing is doing everything it can to take back the narrative. State media is offering steady coverage of people who leave donations at government offices then dash before anyone can give them credit. One compilation of “dropped cash donations and ran away” headlines tallied 41 of them.
Other stories feature medics who join the front lines after “Mom just passed away” or the person “just had a newborn.” Beat by beat, the stories sound the same.
A makeshift memorial to Dr Li Wenliang, who tried to warn China about the coronavirus before it killed him, in Hong Kong on Feb 7, 2020. The New York Times
Some are blatantly unbelievable. One newspaper in the city of Xi’an apologised after it posted an article claiming that a nurse’s newborn twins asked their father where their mother was, saying it was an editing mistake. Another newspaper wrote that after a nurse went to the front line, her husband, who had been in a vegetative state since 2014, would smile whenever her name was mentioned “as if he knew that his wife was engaged in a great endeavour.” That story was later deleted.
In China, admiration of the front-line medical workers is widespread and sincere. But the state media’s coverage does not show the reality that many of those workers lack protective gear. Over 3,000 of them have been infected.
“Their sacrifices should be remembered,” wrote a user on Weibo, one of China’s most popular social media sites. “We should make sure that the tragedies won’t happen again, not highlighting ‘Sacrifice is glorious.’”
Deng Xueping, a lawyer who wrote the “Funeral Into a Wedding” blog post, cited a story about a patient discharged from a makeshift hospital in Wuhan, at the centre of the outbreak. She liked the hospital so much, the story said, that she was reluctant to leave.
“When many patients in Wuhan were struggling to get treatment, our TV camera chose to turn to one happy outpatient,” Deng wrote. “By magnifying one individual’s happiness while hiding the sufferings of most people there, it’s hard to say such coverage was truthful about the epidemic.”
People are also angry about state media accounts of female medical workers who shave their heads. In one viral video, more than a dozen female hospital workers in northwestern Gansu province on their way to Hubei province, the centre of the outbreak, had their heads shaved. Some cried.
That raised questions online about whether the women had been pressured into shaving their heads and why men were not doing the same. The hospital in Gansu province responded that the women had done it voluntarily.
The biggest setback for the party’s propaganda machine came last week when the Communist Youth League unveiled Jiangshan Jiao and Hongqi Man, sibling mascots in traditional Chinese dress. Their names — “jiangshan” for the Chinese nation and “hongqi” for the party’s red flag — are derived from a poem by former Communist Chairman Mao Zedong.
“Come on, cheer on the Youth League’s idols,” the league urged on social media.
People did not cheer. The league deleted the posts hours later as critics accused the party institution of trying to turn the relationship between the country and its citizens into one between entertainment idols and their fans. One comment — “I’m your citizen, not your fan” — got over 50,000 likes.
The backlash may suggest new attitudes among the young generation toward the state.
“In the past month, many young people have been reading a lot of firsthand information and in-depth media reports about the epidemic on the internet,” said Stephanie Xia, 26, who lives in Shanghai. They were angry and confused by what they learned, she said.
“There’s some gap between what the young people are really like and what the government believes what they’re like,” Xia added.
Despite the growing scepticism, the party state has widespread popular support. While older people who rely on state media make up the bulk, the party still counts on the backing of apolitical young people like Lu Yingxin.
Lu said she was touched by the reports about the sacrifices of the front-line health workers and ordinary people donating money to Wuhan. She was sad about the passing of Li and was not happy that the police accused him of spreading rumours.
Still, she is not disappointed with the government. It has a full plate to deal with, she reasons.
“Even if I say that I don’t trust the government, what could I do?” Lu said. “It seems there’s nothing I can do.”
There is no scientific way to gauge public sentiment in China. But hers is probably a widely shared attitude and one that the Chinese government wants to nurture.
To get there, Beijing has intensified internet censorship in the past few weeks. Social media accounts have been deleted or suspended. Starting Saturday, online platforms will be subject to new regulations that could ensure even tighter limits.
Some of the older generation are worried that the epidemic will be forgotten just like many other tragedies in China.
“If we can’t become a whistleblower like Li Wenliang, then let’s be a person who can hear the whistle blowing,” Yan Lianke, a novelist, said in a lecture at Hong Kong University of Science and Technology in February.
“If we can’t speak out loud, then let’s become a whisperer,” Yan said. “If we can’t be a whisperer, then let’s become a silent person who remembers and keeps memories … let’s become a person with graves in our heart.”
In an effort to build a collective memory, thousands of young people are building digital archives of online posts, videos and media stories about the epidemic that have been or are likely to deleted and posting them on the internet outside the country.
Some young people already have the “graves in their hearts” that Yan references and want to ensure younger people have them, too.
Zhao, the Beijing resident, said that after witnessing the polarising online discourses during the outbreak, she had decided to pursue a career in education.
“Care about the world. Care about the people in it,” she said in a Weibo post.
Xia, whose Weibo account has been suspended for 30 days for her epidemic-related posts, said she was determined to keep speaking up no matter how tight the censorship would become so that the next generation would remember.
“Speak up as much as your courage allows,” she said. “In the end, it’s better than saying nothing.”
© 2020 New York Times News Service
